AltWeeklies Wire

Clowns Go All Outnew

In this urban documentary, South Central L.A. rival groups of "clowns," dressed in whiteface, take to the streets to perform furious dances that are the utmost in personal and cultural expression.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Bewitchednew

This letdown film chronicles the featherweight sparring/foreplay of two characters any sensible adult would be hard-pressed to care about.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Oompa-Loompas With Extra Oomph

Inevitably, Burton’s work will be put up against the film that came before it, and this one can stand the comparison well. While not a great film, it’s smart, enjoyable and, most important, respectful of both its audience and its author’s legacy.
Columbus Alive  |  Melissa Starker  |  07-14-2005  |  Reviews

Apocalyptic Terrainnew

Zombie godfather Romero peels off yet another worthy amalgam of the two essential elements in his oeuvre: an obvious yet spot-on central metaphor and a creative approach to bodies going splat.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

War of the Worldsnew

Hollywood can officially flush its hopes for a summer recovery down the toilet with the release of this shockingly unimaginative remake.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Saving Facenew

The 2005 Florida Film Festival introduced audiences to this cross-cultural dramedy, in which a Chinese-American surgeon has to open her home to her middle-aged, newly pregnant mother.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Tough Lovenew

The typical boy-meets-girl romantic comedy is given an upgrade when it's suicide attempts that bring two people together. They marry each other to get away, and -- surprise, surprise -- fall in love.
Orlando Weekly  |  Jessica Bryce Young  |  07-14-2005  |  Reviews

Film Proves to be Uneven Rompnew

Despite loads of snappy banter provided by Wilson and Vaughn and lots of potentially slapstick situations, Wedding Crashers proves to be an uneven romp. The movie oversaturates some scenes with solid laughs and squanders other opportunities.
Creative Loafing (Atlanta)  |  Carlton Hargro  |  07-14-2005  |  Reviews

Not-So-Fantastic Fournew

The entire picture is a vulgar parade of hackwork FX, extreme sports, potty humor, bad WJRR rock and cheesecake shots.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Dark Waternew

This well-made remake of Hideo Nakata's Japanese ghost story unfortunately shares too many essential details with a whole host of not-so-well-made movies: embattled but valiant mom, endangered kid, mournful dead girl and water, water everywhere.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Wedding Crashers Crashesnew

A dick-swingin' standout in a field of flaccid mainstream comedies, the hoped-for runaway hit Wedding Crashers actually has enough honest laughs to fill a 90-minute picture. Too bad it runs closer to two hours.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Roman Holler Daynew

Whether or not you consider yourself in the market for an Italian Mean Girls with a stronger political slant, filmmaker Paolo Virzì has taken the concept about halfway down the road to genuine revelation.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Before a Fallnew

Just as certain music critics will go gaga over the most pedestrian pop if it's sung through a mouthful of bad British teeth, so is the mediocre psychodrama My Summer of Love.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Cheeseburger in Purgatorynew

Maybe you can't fight city hall and maybe you can, but the rousing documentary McLibel proves that you can at least stand up to Mayor McCheese and live to talk about it.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Director's Ego Gets in the Way of Burlesque Documentarynew

Featuring film clips and interviews with burlesque icons, Pretty Things makes a case for the difference between the show-and-tell stripping of contemporary times and the slow-burn tease of classic burlesque -- despite the director's need for attention.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-14-2005  |  Reviews

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