AltWeeklies Wire

We Believenew

Reese Witherspoon and Joaquin Phoenix don't act in Walk the Line; they channel.
Tucson Weekly  |  Bob Grimm  |  11-23-2005  |  Reviews

Damn You, Oprah!new

Emmanuel's Gift delves into inspirational, compelling subjects, but the execution is manipulative and dreadful.
Tucson Weekly  |  James DiGiovanna  |  11-23-2005  |  Reviews

Lack of Big Laughs and True Grit Put Film on Thin Icenew

The slick adaptation of Scott Phillips' well-received noir novel feels more like a vehicle for 61-year-old director and his screenwriters to work out their macho midlife crises.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-23-2005  |  Reviews

Jonathan Larson's Legacy Lives Onnew

Rent builds to a touching funeral and a superb reprise of two of the best songs, but rather than go out on a strong note, the film retains the musical's melodramatic final portion, including a ridiculous death scene that, on a movie screen, feels like having a billboard yell at you for five minutes.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-23-2005  |  Reviews

Holiday on Icenew

Instead of an action comedy that’s as slick as ice, Harold Ramis’ sardonic new comedy is more like an uncongealed river of slush.
Austin Chronicle  |  Marjorie Baumgarten  |  11-23-2005  |  Reviews

Rent: We're Gonna Live Forevernew

Despite the grating, workmanlike direction of Chris Columbus, this boisterous film is a vivacious, wiseacre musical and an inarguable morality lesson: Love is all you need.
Austin Chronicle  |  Marc Savlov  |  11-23-2005  |  Reviews

Cheaper by the Grossnew

This supersized family comedy makes The Brady Bunch look like an example of prudent family planning and sophisticated humor.
Austin Chronicle  |  Marjorie Baumgarten  |  11-23-2005  |  Reviews

So Long, It's Been Good to Know Younew

A tepid romantic comedy with a side order of vitriol.
Austin Chronicle  |  Marc Savlov  |  11-23-2005  |  Reviews

The Secret Lives of Screenwritersnew

Playwright and screenwriter Craig Lucas debuts as a director of his own material with this nasty little story about interpersonal deceptions and Hollywood ethics.
Austin Chronicle  |  Marjorie Baumgarten  |  11-23-2005  |  Reviews

Take Me to Your Ashramnew

This documentary follows a group of spiritual voyagers through a series of pilgrimages and trips to Indian ashrams and holy festivals in order to create a portrait of the yogi life.
Austin Chronicle  |  Marrit Ingman  |  11-23-2005  |  Reviews

Simply Gallingnew

In his film directorial debut, acclaimed playwright/screenwriter/theater director Craig Lucas is done in by his own script, which becomes excessively icy and cruel.
SF Weekly  |  Jean Oppenheimer  |  11-23-2005  |  Reviews

The Inspiring Rock 'n' Roll Story of the Minutemen -- on Film

A full-length documentary film chronicles the history of guitarist Dennes Boon, bassist Mike Watt, and drummer George Hurley from their early days in the burgeoning punk scene to their reign as underground heroes.
Charleston City Paper  |  T. Ballard Lesemann  |  11-22-2005  |  Reviews

Jesus Savesnew

Sarah Silverman speaks the unspeakable; offending is part of her shtick. And funny? Oh hell, yes.
East Bay Express  |  Robert Wilonsky  |  11-21-2005  |  Reviews

Children of the Revelation

Machuca attempts to muffle any potential backlash by taking a boy's-eye view of American-backed state terrorism.
Washington City Paper  |  Mark Jenkins  |  11-18-2005  |  Reviews

Standard Spelling

In these post-Thatcher times, the closest thing the British theater has to a welfare program is the Harry Potter movies.
Washington City Paper  |  Louis Bayard  |  11-18-2005  |  Reviews

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