AltWeeklies Wire

A History of Violins

A humane and humanizing look at the guts of the symphonic orchestra, this film is also a feast of sound.
Washington City Paper  |  Louis Bayard  |  02-03-2006  |  Reviews

Life Isn't Beautiful

Does Fateless clear the bar already set by previous Holocaust accounts? Yes, but in a paradoxical way -- by pretending that the bar isn't there
Washington City Paper  |  Louis Bayard  |  02-03-2006  |  Reviews

Race to the Finish

It's weird that this story of love appears to be threaded with an undercurrent of hate.
Washington City Paper  |  Tricia Olszewski  |  02-03-2006  |  Reviews

Feeble Attraction

Imagine this: that an all-consuming, 'til-death-do-us-part love affair gets under way in even less time than it takes the Brokeback boys to get it on.
Washington City Paper  |  Tricia Olszewski  |  02-03-2006  |  Reviews

Shaggy-Corpse Storynew

The title of Tommy Lee Jones’s directorial debut gives fair warning of its weirdness.
Boston Phoenix  |  Peter Keough  |  02-03-2006  |  Reviews

Fast Tonynew

As a Kiwi traveling to the Bonneville Salt Flats in hopes of setting the world's land-speed record, Anthony Hopkins projects more sex appeal than actors a third his age.
Boston Phoenix  |  Brett Michel  |  02-03-2006  |  Reviews

With Candor Comes Charmnew

Taking as your subject a sexual free-for-all might seem an exercise in excess, but in the case of this Joseph Lovett documentary, libido-on-display can serve as its own means for social change.
Boston Phoenix  |  Colin Fleming  |  02-03-2006  |  Reviews

Ride Lonesomenew

Anthony Hopkins' great performance as Burt Munro, the real-life New Zealand codger and Indian motorcycle enthusiast who in 1967 set a land speed record that still stands today, is not enough to crash through this unabashedly sentimental wall of schmaltz.
Austin Chronicle  |  Marc Savlov  |  02-03-2006  |  Reviews

Trial and Errornew

The system is found guilty in After Innocence, a documentary on wrongful convictions.
Boston Phoenix  |  Peter Keough  |  02-03-2006  |  Reviews

Landscaping the Romantic Comedynew

Think Bridget Jones' lovelorn but marriage-obsessed single woman, only make her a neat-freak, not a basket case, and a comely African-American, not a plumpish, pasty Brit in this genre-tweaking romantic comedy.
Austin Chronicle  |  Kimberley Jones  |  02-03-2006  |  Reviews

The Remains of an Eranew

The final collaboration between director James Ivory and producer Ismail Merchant is a gorgeous slice of Merchant/Ivoryisms that nevertheless fails to equal the team’s greatest works.
Austin Chronicle  |  Marc Savlov  |  02-03-2006  |  Reviews

Populism Unbridlednew

This muckraking populist grab bag of a film isn't so much a documentary as it is a harried piece of grassroots agitprop.
Austin Chronicle  |  Marc Savlov  |  02-03-2006  |  Reviews

There's Nothing Like This Damenew

This staid British music-hall drama seems calculated to earn Judi Dench lots of award notices. Mission accomplished.
Austin Chronicle  |  Marjorie Baumgarten  |  02-03-2006  |  Reviews

Jazz Age Gone Wildenew

Oscar Wilde's Lady Windermere's Fan is here set among Jazz Age expatriates cold-chillin' on the Italian coast, and the result is not quite as dishy as one might hope.
Austin Chronicle  |  Marrit Ingman  |  02-03-2006  |  Reviews

Momma's Got the Same Old Bagnew

It's a shame to again witness Martin Lawrence squander his considerable comic talents under a fat suit and fake breasts in this shoddy sequel.
Austin Chronicle  |  Marjorie Baumgarten  |  02-03-2006  |  Reviews

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