AltWeeklies Wire

Roky Roadnew

Detailed here is the long, tangled saga of Erickson, the visionary lead singer of the 13th Floor Elevators, whose trip to fame detoured though mental institutions.
Austin Chronicle  |  Audra Schroeder  |  10-20-2006  |  Reviews

Let Them Eat Popnew

A famous rich girl gives her take on another infamous rich girl of yesteryear.
New York Press  |  Armond White  |  10-19-2006  |  Reviews

Political Crisisnew

Robin Williams and Barry Levinson need to stop working together on movies.
Tucson Weekly  |  Bob Grimm  |  10-18-2006  |  Reviews

Outside of the Groovenew

Haitian politics and turmoil play a smart role in this story of older women and younger prostitution.
Tucson Weekly  |  James DiGiovanna  |  10-18-2006  |  Reviews

Eastwood Falls Into Old Glory Holenew

Oh god, please make the nostalgia stop.
Dig Boston  |  David Wildman  |  10-18-2006  |  Reviews

International Incident

The true beauty of what Sacha Baron Cohen does, regardless of the character he plays, lies in his ability to strip away the veneer and get to the real.
Folio Weekly  |  John E. Citrone  |  10-17-2006  |  Reviews

Love Among the Ruinsnew

Post-9/11 New Yorkers screw their way to self-healing in Shortbus.
Philadelphia City Paper  |  Cindy Fuchs  |  10-17-2006  |  Reviews

Deconstructing Heroism

Clint Eastwood distills a wartime story of epic proportions and personal truths from Iwo Jima, the worst single engagement of WWII.
Maui Time  |  Cole Smithey  |  10-14-2006  |  Reviews

Jibber Jobbernew

Employee shines when Simpson's offscreen.
Washington City Paper  |  Tricia Olszewski  |  10-13-2006  |  Reviews

Texas, Messed Withnew

There's little to differentiate Sheldon Turner's "script" from a colorless, ho-hum slasher.
Washington City Paper  |  Tricia Olszewski  |  10-13-2006  |  Reviews

Pulling Up Shortnew

The movie is amiable enough, but what makes Shortbus actively irksome is the suggestion that its genuine erections and unsimulated ejaculations constitute some sort of revolution.
Washington City Paper  |  Mark Jenkins  |  10-13-2006  |  Reviews

Chinese Takeawaynew

Martin Scorsese is a great filmmaker who rarely makes great films and The Departed is another not-great one, but it is a raucous, bloody romp with more juice than any Scorsese movie since 1990's Goodfellas.
Washington City Paper  |  Mark Jenkins  |  10-13-2006  |  Reviews

The Boy Is Back in Townnew

Director Montiel's personal investment and the blessing of a talented cast make the story gut-wrenching.
Washington City Paper  |  Tricia Olszewski  |  10-13-2006  |  Reviews

New York Storiesnew

McGrath’s version of In Cold Blood’s birth is affecting despite its tendency toward frivolity.
Washington City Paper  |  Tricia Olszewski  |  10-13-2006  |  Reviews

Damaged Soulsnew

Questionable relationships are at the heart of Infamous and Deliver Us from Evil.
Los Angeles CityBeat  |  Andy Klein  |  10-13-2006  |  Reviews

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