AltWeeklies Wire

Sorry, Charlienew

Combining elements of Rushmore and Ferris Bueller's Day Off as well as the illicit-entrepreneur plot of Risky Business, Charlie Bartlett suffers greatly by comparison to these films.
Eugene Weekly  |  Jason Blair  |  03-06-2008  |  Reviews

Lying Lownew

A joke-laden, quirky shoot-out, In Bruges is not.
Eugene Weekly  |  Molly Templeton  |  03-06-2008  |  Reviews

Eraserheadnew

Like a runaway satellite or a shaggy transvestite, Be Kind Rewind is a confusion of messages and signals, few of which hit their mark.
Eugene Weekly  |  Jason Blair  |  03-06-2008  |  Reviews

Fun With Ferrellnew

Semi-Pro is better than most comedies, but that's not saying much.
Tucson Weekly  |  Bob Grimm  |  03-06-2008  |  Reviews

Expect the Expectednew

City of Men is almost tolerable, if you go in with really, really low expectations.
Tucson Weekly  |  James DiGiovanna  |  03-06-2008  |  Reviews

Nobody Loves a Nobodynew

If David Lynch remade Taxi Driver with equal doses of Eraserhead and The Elephant Man, the result might look something like the drab existential loneliness of Ronald Bronstein's Frownland.
New York Press  |  Eric Kohn  |  03-06-2008  |  Reviews

Yuppie Fictionnew

While David Gordon Green once exemplified the essence of independent filmmaking with his 2000 debut George Washington, his new film Snow Angels shows he has since fallen victim to indie film conventions.
New York Press  |  Armond White  |  03-06-2008  |  Reviews

Poor Man's Gamenew

Don't be fooled into thinking Stephen Chow's film, a tribute to Spielberg's E.T., is kid stuff
New York Press  |  Armond White  |  03-06-2008  |  Reviews

Dirty Old Man Voyeurismnew

Gus Van Sant still fetishizes skater boys with his stylized images of alienation.
New York Press  |  Armond White  |  03-06-2008  |  Reviews

'Taxi to the Dark Side': Too High a Farenew

Alex Gibney pulls the hood off of America's use of torture.
Santa Fe Reporter  |  Emiliano Garcia-Sarnoff  |  03-06-2008  |  Reviews

'Semi-Pro' is Semi-Stupidnew

Will Ferrell has arrived in that rarified dimension of comedy that Arnold Schwarzenegger reached in action flicks 20 years ago, in which the titles of his films are mere filler below the star's name.
Arkansas Times  |  Sam Eifling  |  03-06-2008  |  Reviews

'Miss Pettigrew Lives for a Day' & 'Let's Get Lost': Bursting to Fixnew

Frances McDormand's heroine lands into high society; Chet Baker falls from grace.
Washington City Paper  |  Tricia Olszewski  |  03-06-2008  |  Reviews

Not Replicant. Repli CAN.new

Ridley Scott's most enduring movie is his least mantastic.
Sacramento News & Review  |  Jonathan Kiefer  |  03-05-2008  |  Reviews

Heistnew

The Bank Job is better than Jason Statham's other, dumb movies.
San Diego CityBeat  |  Anders Wright  |  03-05-2008  |  Reviews

Self-rockualizationnew

Girls Rock! is a scream. Fortunately, it's also a good movie.
Willamette Week  |  Amy McCullough  |  03-05-2008  |  Reviews

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