AltWeeklies Wire

Networked Overnew

Film critics are mad as hell, and they'll just have to take it.
Baltimore City Paper  |  Ian Grey  |  03-01-2006  |  Movies

March of the Oscars

Come Sunday, the stars will line up in Hollywood for the annual Oscar bash, which is shaping up as a head-on collision between Brokeback Mountain and the dark-horse Crash.
Boulder Weekly  |  Thomas Delapa  |  03-01-2006  |  Movies

Bitching About the Oscarsnew

Fewer and fewer people are willing to leave their home to see a movie, so why should they even care about the Oscars on TV, or what critics think?
Seattle Weekly  |  Tim Appelo and Brian Miller  |  03-01-2006  |  Movies

If I Ran Hollywood …

As the Oscars approach, a handful of writers say what they would do if they were behind the wheel of the Hummer that is Hollywood.
The Inlander  |  Various  |  02-27-2006  |  Movies

'Crash' From the Pastnew

Despite being the only Best Picture nominee set in the present, Crash already feels old.
Birmingham Weekly  |  Hugh Merrill  |  02-27-2006  |  Movies

Tiger Beatnew

After the Sundance short-shrift, American independent films get their due in Rotterdam.
The Village Voice  |  Dennis Lim  |  02-22-2006  |  Movies

Battles in Berlinnew

At the Berlin International Film Festival, George Clooney is treated like royalty, but the serious consideration is given to European and Asian directors and their bizarre films.
NOW Magazine  |  Cameron Bailey  |  02-16-2006  |  Movies

Top Gun Complexnew

Fighter Pilot: Operation Red Flag, a Boeing-funded IMAX film, softens us up for more military spending -- but Why We Fight paints a different picture.
NOW Magazine  |  Kevin Temple  |  02-16-2006  |  Movies

The Distributor Who Wasn't Therenew

Los Angeles filmmaker Brian Flemming would rather do it himself.
L.A. Weekly  |  Steven Leigh Morris  |  02-16-2006  |  Movies

After Paulinenew

Where are the women film critics?
Boston Phoenix  |  Gerald Peary  |  02-10-2006  |  Movies

The Original Kings of Cinemanew

Looking at early African-American filmmakers through today's eyes.
Baltimore City Paper  |  Violet Glaze  |  02-10-2006  |  Movies

Factasianew

Evidence reigns supreme in the new documentary boom.
Seattle Weekly  |  Brian Miller  |  02-08-2006  |  Movies

Hustle and Snownew

At Sundance, the proving ground just got a lot more slippery.
Austin Chronicle  |  Marjorie Baumgarten  |  02-03-2006  |  Movies

The Movie and the Realitynew

The documentary paints a visceral and disturbing cinematic portrait of our criminal-justice system in action -- yet if anything, After Innocence understates the problem.
Boston Phoenix  |  Harvey Silverglate  |  02-03-2006  |  Movies

Not Quite a Movementnew

Slamdance features tenderness, anger, and a very steep slope.
Austin Chronicle  |  Spencer Parsons  |  02-03-2006  |  Movies

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