Why the Press Blackout?

Orlando Weekly | April 20, 2006
The shielding of this unspectacular but hardly disastrous comedy from critics shows that the studios can no longer distinguish between a good bad movie and a bad bad movie.

Orlando Weekly

In America's theme-park Mecca, Orlando Weekly recently explored these themes: How a private group of developers pulled the strings that directed public land-use policies. How a millionaire time-share mogul made his money selling bogus promises. How an annual Gay Day...
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