While the Backstory of 'Guilty Women' is Interesting, the Music Stands on its Own
Tucson Weekly |
October 15, 2009
Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
More »
Contact for Reprint Rights
- Market Served: Metropolitan Area
- Address: 3725 Mona Lisa Rd. Ste. 125, Tucson, AZ 85741
- Phone: (520) 797-4384
More by Linda Ray
Lawrence Ball: Method Musicnew
Few fans of the Who know or care about all that's been going on in Pete Townshend's intensely busy mind. Those who do may have followed the episodic progress of his utopian Lifehouse project, which resurfaced memorably around 2006 with his effort to synthesize a mass of original music gathered online.
Tucson Weekly |
Linda Ray |
02-16-2012 |
Reviews
Changing Their Tune: The Low Anthem's Stylenew
The Low Anthem loves old instruments, new microphones and creating their own style.
Tucson Weekly |
Linda Ray |
03-17-2010 |
Profiles & Interviews
Hawthorne Heights Brings Back Screamnew
Hawthorne Heights moves on from the death of Casey Calvert with a new record label.
Tucson Weekly |
Linda Ray |
12-02-2009 |
Profiles & Interviews
Tags: Hawthorne Heights, Skeletons
More by Tucson Weekly
Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
