The Dead Weather: 'Sea of Cowards'
Tucson Weekly |
June 23, 2010
Tags: The Dead Weather, Sea of Cowards
Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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More by Michael Petitti
David Lynch: The Big Dreamnew
"No, no, no, I don't drink that foreign beer," legendary filmmaker/weirdo David Lynch chortles at the end of the electro-blues vamp "Sun Can't Be Seen No More." This being Lynch, the whole song is sung through a vocal modulator that transmogrifies his pipes into something akin to an asthmatic Donald Duck...
Tucson Weekly |
Michael Petitti |
08-09-2013 |
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Tags: David Lynch
Meomena: Momsnew
Portland, Ore.'s Menomena is a modern group yet to release a truly forgettable or misdirected album—more than can be said for most of their peers. Given the rather acrimonious departure of Brent Knopf, one might think Justin Harris and Danny Seim would have had to reinvent their sound...
Tucson Weekly |
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11-04-2012 |
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The Tallest Man on Earth: There's No Leaving Nownew
A couple of years after his breakthrough sophomore album, The Wild Hunt, Swedish singer/songwriter Kristian Matsson has toned things down for There's No Leaving Now, but it's still a beguiling, dark work.
Tucson Weekly |
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08-30-2012 |
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Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
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Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
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04-14-2014 |
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Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
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Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
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Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
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Music
