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At SF Weekly, we take journalism seriously without getting stuffy about it, make sardonic wit and literary style weekly occurrences, and absolutely cherish political independence. We can inveigh against the Total Information Awareness mindset of the Bush administration, and then,...
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More by Jennifer Maerz
The Dutchess and the Duke Break Hearts on Acoustic Stringsnew
Sunset/Sunrise is permeated by a much darker mood than the band's debut, She's the Dutchess, He's the Duke, but the follow-up succeeds by using the same simple arrangements.
SF Weekly |
Jennifer Maerz |
11-04-2009 |
Profiles & Interviews
Jay Farrar, Ben Gibbard, and a Bad Actress Pay Tribute to Kerouac's 'Big Sur'new
On the One Fast Move or I'm Gone soundtrack, Farrar and Gibbard trade off singing 12 songs with lyrics taken from Big Sur, including lines from the poem "Sea" that closes the novel. Farrar admits to being intimidated at first to use Kerouac as his lyricist, until he settled into a stream-of-consciousness songwriting style.
SF Weekly |
Jennifer Maerz |
10-22-2009 |
Profiles & Interviews
Unagi Keeps Hip-Hop Reference-Richnew
Unagi takes hip-hop on a maximalist ride that jells with his geography. He talks up living in the birthplace of Del the Funkyhomosapien, Hieroglyphics, and DJ Shadow, and his drive to "go for more obscure references than [sampling] the obvious song."
SF Weekly |
Jennifer Maerz |
07-15-2009 |
Profiles & Interviews
More by SF Weekly
Sofia Coppola's Journey To "Somewhere"new
With her long caramel hair and red pout, waify body in hip-hugger skirts and kitschy baby-tees, Sofia Coppola was a poster girl for '90s cool.
SF Weekly |
Karina Longworth |
01-03-2011 |
Profiles & Interviews
Tags: Sofia Coppola, Somewhere
The YouTube-ification of Public-Access TV in San Francisco is About to Beginnew
California has joined some 20 states in largely letting cable companies off the hook for funding public-access TV. Dozens of cities have lost their stations altogether, and in San Francisco, the operating budget has been hacked to a fifth of its former level. And the old cast of kooky cable programmers doesn't like it one bit.
Norwegian Death Metal Doc 'Until the Light Takes Us' Aims High(brow)new
Norwegian death metal is a fascinatingly dark corner of the musician-as-fanatic landscape. Until the Light Takes Us is an attempt to create the definitive film on the subject, but directors Aaron Aites and Audrey Ewell instead offer a passive, jumpy synopsis that's more artsy than insightful.
Wayne Coyne Loses the Plot, Keeps the Magic for 'Christmas'new
The Flaming Lips frontman is hitting the big screen as a true alien -- a man in green with deely-bopper horns on his head and shoulders -- in the movie he cooked up, co-directed, and co-stars in, Christmas on Mars.
'Girls Rock!' Hits Nerves of the Teen Psyche Varietynew
By focusing on the raw sentiments ("spillage") of campers, Girls Rock! is an intelligent -- and, more importantly, entertaining -- look at how girls fight self-imposed stereotypes in very different ways than boys do.
