Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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Contact for Reprint Rights
- Market Served: Metropolitan Area
- Address: 3725 Mona Lisa Rd. Ste. 125, Tucson, AZ 85741
- Phone: (520) 797-4384
More by Casey Dewey
Stoner Rock's Best Kept Secretnew
Sweden's Truckfighters have more in common with the Melvins than ABBA.
Tucson Weekly |
Casey Dewey |
09-03-2013 |
Profiles & Interviews
Tags: Truckfighters
Where He Needs To Benew
Legendary punk frontman Keith Morris seems revived by OFF!
Tucson Weekly |
Casey Dewey |
09-13-2012 |
Profiles & Interviews
Tags: Keith Morris
Monster Pussy: Tails of the Citynew
After a handful of cassette-only releases and a 7-inch single, Tucson Area Music Awards honoree Monster Pussy has finally unleashed its debut album, and Tails of the City is chock-full of quirky odes to various U.S. cities, good friends and activities in the Old Pueblo.
Tucson Weekly |
Casey Dewey |
10-01-2011 |
Reviews
Tags: monster pussy, Tucson punk
More by Tucson Weekly
Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
