Michael Holland Goes Traditional
INDY Week |
February 14, 2008
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More by Grayson Currin
The instructive joy of artist-led labelsnew
Little labels started by musicians work because they understand the music industry and its oft-diminishing margins.
David Menconi recounts Ryan Adams' Raleigh yearsnew
Often funny, sad and poignant at the same time, Losering distills all the tales you might've heard about the booze- and drug-addled nervous wonder of Whiskeytown into 100 or so brisk pages.
INDY Week |
Grayson Currin |
09-19-2012 |
Nonfiction
Can reissues stretch fans too thin?new
As ever-frank heavy metal critic Kim Kelly recently wrote, "Quit reissuing things. Not everything is a fucking 'classic.'"
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When I was a teenager, I filled notebooks with annotations for the lyrics to Operation: Mindcrime, the third album by Queensrÿche. I lined up four hours before doors opened (and three hours before anyone else showed up) to see them play at a theatre in Kentucky...
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Monumentour: My Rock, My Salvationnew
How this summer's Monumentour testifies to the resilient role of rock 'n' roll.
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The strangely similar career paths of Vampire Weekend and Blur's Damon Albarnnew
During a concert last fall at the Barclays Center in Brooklyn, Vampire Weekend diverged from their own material exactly once, covering Blur's Dadaist jock jam "Song 2." The choice was a surprisingly big, crunchy move for a band whose sound typically veers toward the airy and nuanced...
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Future Islands' Roots Run Back to North Carolinanew
Since an appearance on David Letterman, the band’s rise has been meteoric.
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