'Max Payne' Prefers Good Looks to Smarts
New York Press |
October 23, 2008
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More by Mark Peikert
‘The Emperor Jones’ Proves That Imaginative Direction Has Fled Broadway For Offnew
Rarely do plays that utilize puppets and masks succeed as admirably as does The Emperor Jones. Director Ciarán O’Reilly deserves all the critical accolades coming to him for resurrecting Eugene O’Neill’s play about despots in power, bringing it to crackling life once again.
New York Press |
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‘This’ is Really Itnew
There’s something potent about Melissa James Gibson’s haunting new play This at Playwrights Horizons, something that draws you into the story even as you find yourself intermittently annoyed by the prospect of more floundering yuppies coming to terms with their mortality.
New York Press |
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New Documentary 'Art & Copy' Celebrates the Men Behind Ads by Skimming the Surfacenew
Advertising has long been perceived as a mirror reflecting reality back to consumers as a wish-fulfillment exercise. In that sense, Art & Copy is a worthy addition to a time-honored tradition.
New York Press |
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08-20-2009 |
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The social networking approach to film criticism is not about democracy.
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A soldier’s tragic tale retold for maximum effect in 'The Tillman Story.'
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'The Radiant Child' is a glowing tribute to the late artist.
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Catherine Breillat Returns With Another Powerful Sexual Narrativenew
That drop of menstrual blood at the beginning of The Runaways recurs in Bluebeard, Catherine Breillat’s adaptation of the 17th-century Charles Perrault fairytale.
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