Mat Brooke Gets Upbeat with Grand Archives
Tucson Weekly |
June 19, 2008
Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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More by Stephen Seigel
Danger Mouse and Sparklehorse: Dark Night of the Soulnew
Dark Night of the Soul has finally been released, four months after Mark Linkous took his own life.
Tucson Weekly |
Stephen Seigel |
08-31-2010 |
Reviews
Carissa's Wierd: They'll Only Miss You When You Leavenew
Though Carissa's Wierd's arrangements got more complex as they progressed and added members, there is a hushed beauty that runs throughout these songs.
Tucson Weekly |
Stephen Seigel |
08-06-2010 |
Reviews
Tags: Carissa's Wierd
Rise of the Synthnew
Shawn Foree had previously flirted with several different varieties of synth-based music—noisy synth-punk with electric guitar, and '80s British-inspired electro-pop—but on Warm Brother, he began using elements such as acoustic guitars and live drums, which he'd never used before, and which added a considerable amount of depth and variation.
Tucson Weekly |
Stephen Seigel |
05-25-2010 |
Profiles & Interviews
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Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
