Making More Lists: Our Critics Keep Naming the Best Music of 2009
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Tucson Weekly |
December 31, 2009
Tags: Year in Review
Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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More by Jarret Keene
Death on Two Railsnew
Salvadoran journalist rides the deadly migrant trail.
Tucson Weekly |
Jarret Keene |
01-16-2014 |
Books
Tags: Oscar Martinez, The Beast
Drugs 'R' Usnew
Narcoland exposes corruption that fueled the rise of Mexican cartels.
Tucson Weekly |
Jarret Keene |
12-05-2013 |
Books
More by Curtis McCrary
Holy Rolling Empire: Noise Will Be Noisenew
The new EP by Tucson combo the Holy Rolling Empire, Noise Will Be Noise, is a strong effort in a growing body of work that consistently hits the sweet spot between hard-edged power pop and psychedelia.
Tucson Weekly |
Curtis McCrary |
06-09-2010 |
Reviews
Can't Stop Listening to 2008's Best Albumsnew
We start off 2009 with more lists of our favorite albums from 2008.
Tucson Weekly |
Jarret Keene, Curtis McCrary and Stephen Seigel |
01-02-2009 |
Music
Tags: Year in Review, Best Albums
More by Michael Petitti
David Lynch: The Big Dreamnew
"No, no, no, I don't drink that foreign beer," legendary filmmaker/weirdo David Lynch chortles at the end of the electro-blues vamp "Sun Can't Be Seen No More." This being Lynch, the whole song is sung through a vocal modulator that transmogrifies his pipes into something akin to an asthmatic Donald Duck...
Tucson Weekly |
Michael Petitti |
08-09-2013 |
Reviews
Tags: David Lynch
Meomena: Momsnew
Portland, Ore.'s Menomena is a modern group yet to release a truly forgettable or misdirected album—more than can be said for most of their peers. Given the rather acrimonious departure of Brent Knopf, one might think Justin Harris and Danny Seim would have had to reinvent their sound...
Tucson Weekly |
Michael Petitti |
11-04-2012 |
Reviews
More by Stephen Seigel
Danger Mouse and Sparklehorse: Dark Night of the Soulnew
Dark Night of the Soul has finally been released, four months after Mark Linkous took his own life.
Tucson Weekly |
Stephen Seigel |
08-31-2010 |
Reviews
Carissa's Wierd: They'll Only Miss You When You Leavenew
Though Carissa's Wierd's arrangements got more complex as they progressed and added members, there is a hushed beauty that runs throughout these songs.
Tucson Weekly |
Stephen Seigel |
08-06-2010 |
Reviews
Tags: Carissa's Wierd
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Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
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08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
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Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
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Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
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Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
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Music
