'Just Like Heaven': Pleasant Enough
Tucson Weekly |
March 26, 2009
Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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More by Kristine Peashock
Jenny and Johnny: I'm Having Fun Nownew
If indie-music tastemakers make you queasy, you won't have the stomach for Jenny and Johnny.
Tucson Weekly |
Kristine Peashock |
09-29-2010 |
Reviews
Tags: Jenny and Johnny
The Raveonettes' 'In and Out of Control' is Unevennew
The Raveonettes' terrific last record focused on hedonism, consequences be damned. Now, they're talking about the fallout of indulging in bad things, and that's just not as fun.
Tucson Weekly |
Kristine Peashock |
10-07-2009 |
Reviews
Simpleminded Musings: Ben Lee's 'The Rebirth of Venus'new
Aussie Ben Lee has abandoned his trademark catchy guitar-pop songs to make an odd, quasi-concept album that irks more than it inspires.
Tucson Weekly |
Kristine Peashock |
02-12-2009 |
Reviews
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Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
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Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
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Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
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Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
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Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
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