Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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Contact for Reprint Rights
- Market Served: Metropolitan Area
- Address: 3725 Mona Lisa Rd. Ste. 125, Tucson, AZ 85741
- Phone: (520) 797-4384
More by Joshua Levine
Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Beauty Born of Explorationnew
Improvisational act Cave take their experimental ethos to all aspects of their creative process.
Tucson Weekly |
Joshua Levine |
10-17-2013 |
Profiles & Interviews
Arctic Monkeys: AMnew
Every couple of months, the British press finds a new band that will "save rock." In the summer, or maybe early autumn, of 2005, Arctic Monkeys saved rock, but on a scale unprecedented at that time, even by Oasis...
Tucson Weekly |
Joshua Levine |
09-12-2013 |
Reviews
Tags: Arctic Monkeys
More by Tucson Weekly
Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
