Ecstatic Improvisation: “The Source Family” Documents the Strange Days of Father Yod and Ya Ho Wha 13
Courtesy of Djin Aquarian
Chicago Newcity |
June 12, 2013
Chicago Newcity
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“I met him in Bloomington, right around 1997, when his first record came out,” Jason Evans Groth says. “I worked at the student radio station [at Indiana University] and I remember playing that record a lot. It seemed like otherworldly music to me. … So, when I found out it was him—I think a lot of people’s reaction when they saw Jason the first time was, ‘Jesus, it’s that guy?’ And the second thing is, he talks a lot.”
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Like the majority of “Milk Money,” its longest track stubbornly develops a recognizable theme and rhythm. Listeners need patience to get there. The album’s cover might be a bit more concretely rooted in the world we all inhabit, but musically? It’s greatly transcendental moments of manipulated keys and surprising, dropped in edits.
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