Guttural Rhythms: The Science of Ted Sirota’s Heavyweight Dub
Chicago Newcity |
September 20, 2013
Tags: Ted Sirota
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More by Dave Cantor
On the Road, Molinanew
“I met him in Bloomington, right around 1997, when his first record came out,” Jason Evans Groth says. “I worked at the student radio station [at Indiana University] and I remember playing that record a lot. It seemed like otherworldly music to me. … So, when I found out it was him—I think a lot of people’s reaction when they saw Jason the first time was, ‘Jesus, it’s that guy?’ And the second thing is, he talks a lot.”
Chicago Newcity |
Dave Cantor |
01-09-2014 |
Profiles & Interviews
Alone, together: Dosh expands his experiment in a vaccumnew
Like the majority of “Milk Money,” its longest track stubbornly develops a recognizable theme and rhythm. Listeners need patience to get there. The album’s cover might be a bit more concretely rooted in the world we all inhabit, but musically? It’s greatly transcendental moments of manipulated keys and surprising, dropped in edits.
Chicago Newcity |
Dave Cantor |
12-02-2013 |
Profiles & Interviews
Jacco Gardner’s Age of Discoverynew
“I had a quite clear visual image when I made that song,” Jacco Gardner says of “Cabinet of Curiosities.” “It’s from a time when dreams and reality came together in a way … like the first [explorers] who saw an elephant, and they made a drawing of it. It looked like a monster."
Chicago Newcity |
Dave Cantor |
10-21-2013 |
Profiles & Interviews
Tags: Jacco Gardner
More by Chicago Newcity
On the Road, Molinanew
“I met him in Bloomington, right around 1997, when his first record came out,” Jason Evans Groth says. “I worked at the student radio station [at Indiana University] and I remember playing that record a lot. It seemed like otherworldly music to me. … So, when I found out it was him—I think a lot of people’s reaction when they saw Jason the first time was, ‘Jesus, it’s that guy?’ And the second thing is, he talks a lot.”
Chicago Newcity |
Dave Cantor |
01-09-2014 |
Profiles & Interviews
Alone, together: Dosh expands his experiment in a vaccumnew
Like the majority of “Milk Money,” its longest track stubbornly develops a recognizable theme and rhythm. Listeners need patience to get there. The album’s cover might be a bit more concretely rooted in the world we all inhabit, but musically? It’s greatly transcendental moments of manipulated keys and surprising, dropped in edits.
Chicago Newcity |
Dave Cantor |
12-02-2013 |
Profiles & Interviews
Jacco Gardner’s Age of Discoverynew
“I had a quite clear visual image when I made that song,” Jacco Gardner says of “Cabinet of Curiosities.” “It’s from a time when dreams and reality came together in a way … like the first [explorers] who saw an elephant, and they made a drawing of it. It looked like a monster."
Chicago Newcity |
Dave Cantor |
10-21-2013 |
Profiles & Interviews
Tags: Jacco Gardner
Hawkwind's Persistent Visionnew
The current incarnation of Hawkwind, including dancers and a light crew, counts about ten people, all dedicated to crafting a stage show to extol the psychedelic virtues of the ensemble’s 1975 work. Brock refers to the album as “the last part of the jigsaw puzzle from the seventies.” And while it was the final album featuring Lemmy on bass, Hawkwind issued several additional long-players during that decade.
Chicago Newcity |
Dave Cantor |
10-10-2013 |
Profiles & Interviews
Tags: Hawkwind
Just A Rambler: Nick Garrie Reclaims His Masterful “Nightmare”new
He says the album’s recording wasn’t hijacked back in 1968. But if Nick Garrie didn’t think “The Nightmare of J.B. Stanislas” existed in bastardized form, he likely wouldn’t be traversing the Atlantic Ocean to set it all right.
Chicago Newcity |
Dave Cantor |
09-03-2013 |
Profiles & Interviews
