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More by The Portland Mercury
Gil Scott-Heron Exits the Darknessnew
Gil Scott-Heron was never able to cash in on the hyperbolic and lofty praise he received in the 70's ("The black Bob Dylan," anyone?), instead he faded into the abyss during the mid-'90s and beyond, only to occasionally resurface not onstage, but on a police blotter.
The Portland Mercury |
Ezra Ace Caraeff |
04-15-2010 |
Concerts
Tags: Gil Scott-Heron
Cutting the Excess: Scout Niblett Raises the Temperaturenew
Scout Niblett recorded 100 different versions of The Calcination of Scout Niblett, the title track of her new album on Drag City. Not because she was looking for the perfect take—very near the opposite, in fact.
The Portland Mercury |
Ned Lannamann |
03-25-2010 |
Profiles & Interviews
Attempting to Make Sense of SXSW, America's Premier Music Festivalnew
There are close to 2,000 registered bands at SXSW, although the impossible-to-determine unofficial number is probably twice that. If you perform, you will do so opposite hundreds of other bands from all over the world.
The Portland Mercury |
Ezra Ace Caraeff |
03-25-2010 |
Music
The African Zeitgeist: Bassekou Kouyate, Tradition and Innovationnew
While hipster America's romance with West African music may not last long, a live look at the source is long overdue (in fairness, there aren't a lot of options). There's no better opportunity than with Malian Bassekou Kouyate.
The Portland Mercury |
Andrew R Tonry |
03-11-2010 |
Profiles & Interviews
The Last Frontier: Portugal. The Man Are Like No Othernew
In lieu of resting on the crutch of their regional association, the band turned the calendar pages of 2009 by recording a pair of albums—The Satanic Satanist, their most successful release to date, and American Ghetto, due out next spring.
The Portland Mercury |
Ezra Ace Caraeff |
12-17-2009 |
Profiles & Interviews
Tags: American Ghetto, Portugal. The Man
