Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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Contact for Reprint Rights
- Market Served: Metropolitan Area
- Address: 3725 Mona Lisa Rd. Ste. 125, Tucson, AZ 85741
- Phone: (520) 797-4384
More by Annie Holub
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
Going Organicnew
The Cave Singers keep up their natural progression.
Tucson Weekly |
Annie Holub |
06-18-2012 |
Profiles & Interviews
Tags: cave singers
More by Michael Petitti
David Lynch: The Big Dreamnew
"No, no, no, I don't drink that foreign beer," legendary filmmaker/weirdo David Lynch chortles at the end of the electro-blues vamp "Sun Can't Be Seen No More." This being Lynch, the whole song is sung through a vocal modulator that transmogrifies his pipes into something akin to an asthmatic Donald Duck...
Tucson Weekly |
Michael Petitti |
08-09-2013 |
Reviews
Tags: David Lynch
Meomena: Momsnew
Portland, Ore.'s Menomena is a modern group yet to release a truly forgettable or misdirected album—more than can be said for most of their peers. Given the rather acrimonious departure of Brent Knopf, one might think Justin Harris and Danny Seim would have had to reinvent their sound...
Tucson Weekly |
Michael Petitti |
11-04-2012 |
Reviews
More by Linda Ray
Lawrence Ball: Method Musicnew
Few fans of the Who know or care about all that's been going on in Pete Townshend's intensely busy mind. Those who do may have followed the episodic progress of his utopian Lifehouse project, which resurfaced memorably around 2006 with his effort to synthesize a mass of original music gathered online.
Tucson Weekly |
Linda Ray |
02-16-2012 |
Reviews
Changing Their Tune: The Low Anthem's Stylenew
The Low Anthem loves old instruments, new microphones and creating their own style.
Tucson Weekly |
Linda Ray |
03-17-2010 |
Profiles & Interviews
More by Gene Armstrong
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
J.D. Wilkes & the Dirt Daubers: Wild Moonnew
What began as an old-timey unplugged side project for psychobilly trailblazer J.D. Wilkes and his pinup-gorgeous wife, Jessica, has evolved on their third album into a swaggeringly electric band that specializes in swamp blues and twangy garage-abilly. Fans of Wilkes' Legendary Shack Shakers will appreciate the after-midnight roadhouse energy of the Dirt Daubers, but this group also crafts concise songs with oodles of melodic hooks that all might have been hit singles in an alternate jukebox universe...
Tucson Weekly |
Gene Armstrong |
01-16-2014 |
Reviews
More by Tucson Weekly
Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
