Actor Sam Riley on Portraying Ian Curtis
San Diego CityBeat |
October 31, 2007
Tags: Control, Anton Corbijn
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More by Anders Wright
Very Weird, Mostly Goodnew
Director Ji-Woon Kim has fused Asian action with the spaghetti western in The Good, the Bad, the Weird.
San Diego CityBeat |
Anders Wright |
05-13-2010 |
Reviews
Ben Foster is Painfully Good in 'The Messenger'new
In Foster's first leading role, he plays a character who has just returned from Iraq and is completely cut off from his emotions, even as he's assigned the most emotional job of all, that of a casualty-notification officer.
San Diego CityBeat |
Anders Wright |
11-18-2009 |
Profiles & Interviews
Violence Begets Violence and Terrific Performances in 'Five Minutes of Heaven'new
Oliver Hirschbiegel has created a small movie with an interesting premise, a film that wouldn't stand out at all were it not for the tremendous performances from its two leading actors, Liam Neeson and James Nesbitt.
San Diego CityBeat |
Anders Wright |
10-28-2009 |
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Chad Michaels Out to Take Reality TV With a Bang (and a Tuck)new
San Diego queen is going to 'drag Disneyland.'
San Diego CityBeat |
Enrique Limon |
01-20-2012 |
TV
Very Weird, Mostly Goodnew
Director Ji-Woon Kim has fused Asian action with the spaghetti western in The Good, the Bad, the Weird.
San Diego CityBeat |
Anders Wright |
05-13-2010 |
Reviews
Ben Foster is Painfully Good in 'The Messenger'new
In Foster's first leading role, he plays a character who has just returned from Iraq and is completely cut off from his emotions, even as he's assigned the most emotional job of all, that of a casualty-notification officer.
San Diego CityBeat |
Anders Wright |
11-18-2009 |
Profiles & Interviews
Violence Begets Violence and Terrific Performances in 'Five Minutes of Heaven'new
Oliver Hirschbiegel has created a small movie with an interesting premise, a film that wouldn't stand out at all were it not for the tremendous performances from its two leading actors, Liam Neeson and James Nesbitt.
San Diego CityBeat |
Anders Wright |
10-28-2009 |
Reviews
The Coen Brothers Make Their Most Personal, Most Maddening Film Yetnew
The Coens have never made a movie like A Serious Man before, combining the screwball sensibilities of O Brother with the larger issues of No Country. But this isn’t an existential film -- far from it.
San Diego CityBeat |
Anders Wright |
10-07-2009 |
Reviews
Tags: A Serious Man, The Coen Brothers
