AltWeeklies Wire
Carlos Reygadas' 'Silent Light' is More Posing for the Poseursnew
In Reygadas' facetious approach to his subject matter, he pushes Art buttons: lots of rewound clocks and that big Dreyeresque moment confronting death. It lacks the wit and feeling of Frank Borzage's Three Comrades where a thrown watch transcends time and death.
New York Press |
Armond White |
01-08-2009 |
Reviews
'Silent Light' is Long and Slow but Full of Moments of Beautynew
Reaching nearly two and a half hours at an unrelentingly glacial pace, this is most definitely not a film for the ADD set; comparatively, Jim Jarmusch's Broken Flowers feels like the latest Indiana Jones flick. But the peculiar setting keeps things interesting, the cast is compelling and the cinematography and editing are truly exceptional.
Montreal Mirror |
Malcolm Fraser |
06-27-2008 |
Reviews
Tags: Carlos Reygadas, Silent Light
Seeing the Light with Director Carlos Reygadasnew
Reygadas' third feature, Silent Light, is in some ways his most audacious undertaking yet: a drama of marital and spiritual crisis set in a modern-day Mennonite community on the outskirts of Chihuahua, filmed entirely in the German-derived Plautdeitsch language.
L.A. Weekly |
Scott Foundas |
11-02-2007 |
Profiles & Interviews
Tags: Carlos Reygadas, Silent Light
