AltWeeklies Wire
In '7 Days in Slow Motion,' a Boy Escapes His Responsibilitiesnew
7 Days in Slow Motion is a charming, energetic film that most families would enjoy, and it's a worthwhile look at little-seen aspects of modern India.
Charleston City Paper |
Ryan Finn |
04-20-2011 |
Reviews
Bollywood's Terrorism Masalanew
Bollywood's colorful, multi-genre musicals serve up their most interesting protagonist yet, the singing, dancing terrorist.
Boston Phoenix |
Seetha Narayan |
11-26-2008 |
Movies
'Slumdog Millionaire' is a Wealth of Richesnew
Along with its depictions of horrendous poverty, underage prostitution, child abuse and savage dehumanization of the developing world, it's also a terrific, feel-good film, an audience pleaser that offers a smidgen of hope in a world that's rapidly spiraling down the bowl.
San Diego CityBeat |
Anders Wright |
11-19-2008 |
Reviews
From Manchester to Mumbai with Danny Boylenew
He wanted to make a movie from inside, and he's succeeded with Slumdog Millionaire, a vibrant, fast-paced, gorgeously mounted and soulful Oliver Twist makeover about Jamal, an inner-city youth who reaches the finals of Who Wants to Be a Millionaire?
L.A. Weekly |
Ella Taylor |
11-14-2008 |
Profiles & Interviews
'Slumdog' Gives Guilty Liberals Absolution Through Game-Show Gimmickrynew
There hasn't been a social drama this decadently over-hyped since City of God. Boyle plays the same game of pandering to liberal sensibilities while entertaining safe, middle-class distance.
New York Press |
Armond White |
11-13-2008 |
Reviews
'Slumdog Millionaire' is One of the Best Films of the Yearnew
At first glance just another Third World children-of-the-slums weepie, it transcends the limitations of that slender genre in leaps and bounds.
East Bay Express |
Kelly Vance |
11-12-2008 |
Reviews
'Slumdog Millionaire' Gracefully Slides Between Fairy Tale Romance and Gritty Dramanew
It's a credit to the filmmakers that every moment, from the harsh street scenes to a Bollywood-style song-and-dance number, is integral to the story. In the end, that juxtaposition is what helps the film capture a sense of the "real" India, however tenuous the concept.
San Francisco Bay Guardian |
Louis Peitzman |
11-12-2008 |
Profiles & Interviews
'The Forgotten Woman' Highlights Indian Widowsnew
Photographer turned filmmaker Dilip Mehta lets his lyrical camerawork and subjects tell their sometimes heart-wrenching stories of poverty and neglect, which aren't easy on the eyes. The film depicts the most marginalized people in Indian society, widows who are abandoned by their families and relatives once their husbands die.
The Georgia Straight |
R. Paul Dhillon |
04-28-2008 |
Profiles & Interviews
Yogi Unbearable
Viewers who know something about India or religion will be able to salvage a few moments from Naked in Ashes, despite the filmmakers' failure to provide anything more than the flimsiest of contexts.
Washington City Paper |
Mark Jenkins |
01-06-2006 |
Reviews
