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Only a Thread: Romero Loses His Credibility

Sometimes nothing is better than something. George A. Romero's latest zombie retread demotes the 70-year-old filmmaker to a pale imitation of the groundbreaking director who invented zombie satire in 1968 with Night of the Living Dead, and then went on to full-on postmodern force with Dawn of the Dead and Day of the Dead.
City Pulse  |  Cole Smithey  |  05-24-2010  |  Reviews

Horror With Smartsnew

George Romero promotes the DIY ethic in the clunky yet catchy Diary of the Dead.
Tucson Weekly  |  James DiGiovanna  |  03-20-2008  |  Reviews

The Scary Film Projectnew

Amid the obligatory splattered brains and oozing entrails, Romero examines the ubiquity of our multimedia culture, a world where "if it's not on video, it's not real," and assails how the YouTube generation has become desensitized to violence, disaster, war and death.
INDY Week  |  Neil Morris  |  02-14-2008  |  Reviews

Where's George A. Romero?new

Coming on the heels of Cloverfield, a similar but far more ambitious film, Diary of the Dead doesn't have the impact that it should -- especially given the fact that it's a Romero zombie film -- and ultimately does little to add to the genre.
Willamette Week  |  David Walker  |  02-13-2008  |  Reviews

George Romero's Diarynew

You might think George Romero, who all but established the rules and conventions for how zombie movies work, would be a bit tired of the genre after 40 years of doing it. You'd be wrong.
San Diego CityBeat  |  Anders Wright  |  02-13-2008  |  Profiles & Interviews

'Diary of the Dead' Goes for the Headshotnew

Diary had its U.S. debut at Sundance in January and was easily one of the fiercest pictures on show. In fact, I'm not aware of any fiction features that might hold such sting.
Chicago Newcity  |  Ray Pride  |  02-13-2008  |  Profiles & Interviews

Apocalyptic Terrainnew

Zombie godfather Romero peels off yet another worthy amalgam of the two essential elements in his oeuvre: an obvious yet spot-on central metaphor and a creative approach to bodies going splat.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Romero Walks The Line

Romero's typical themes are present, but there's a greater emphasis on action this time.
Dayton City Paper  |  Aaron Epple  |  06-29-2005  |  Reviews

Zombie Nationnew

Romero has again crafted a character-driven horror film that doubles as a metaphor for the economic disparity in America and, to a lesser degree, the war on terror.
Austin Chronicle  |  Marc Savlov  |  06-24-2005  |  Reviews

It's Zombie Nation in Land of the Deadnew

George A. Romero's latest film proves that the new generation of zombie auteurs has exceeded their teacher.
Creative Loafing (Atlanta)  |  Curt Holman  |  06-23-2005  |  Reviews

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