AltWeeklies Wire
Page One: Inside the New York Timesnew

Andrew Rossi's documentary Page One buffs the Grey Lady's image.
New York Press |
Armond White |
06-17-2011 |
Movies
Discourteous Discoursenew

The social networking approach to film criticism is not about democracy.
New York Press |
Armond White |
10-01-2010 |
Movies
Tags: Armond White, Rotten Tomatoes
Hero Worshipnew

A soldier’s tragic tale retold for maximum effect in 'The Tillman Story.'
New York Press |
Armond White |
08-19-2010 |
Reviews
Basking In Basquiatnew

'The Radiant Child' is a glowing tribute to the late artist.
New York Press |
Dale W. Eisinger |
07-22-2010 |
Reviews
Catherine Breillat Returns With Another Powerful Sexual Narrativenew

That drop of menstrual blood at the beginning of The Runaways recurs in Bluebeard, Catherine Breillat’s adaptation of the 17th-century Charles Perrault fairytale.
New York Press |
Armond White |
03-25-2010 |
Reviews
Tags: Bluebeard, Catherine Breillat
On the Strange Symbiosis Between Publicists and Film Criticsnew
Greenberg, the big-budget mumblecore movie by Noah Baumbach, should enter the language as Woody Allen’s Zelig did — a title that goes beyond ethnic specificity to stand for a particular social disorder: the tendency toward vanity, suppression and censorship.
New York Press |
Armond White |
03-18-2010 |
Movies
Zoe Kazan, an Indie Starlet on the Verge of Fame, Doesn't Need More 'Friends'new

Zoe Kazan is contemplating suicide. No, not in real life, where she’s doing just fine, thank you very much. But she’s had it with that dubious realm of interactivity known as Facebook. So it may be time for online suicide.
New York Press |
Eric Kohn |
03-11-2010 |
Profiles & Interviews
Eisner Doesn't Try For Symbolism and His Reboot is Better For Itnew

Breck Eisner’s remake of George Romero’s The Crazies is one of those movies dishonest critics use for target practice. It has no big names or budget that they feel compelled to respect and so disrespect inspires them to ignore its visual wit and skillful pacing.
New York Press |
Armond White |
03-04-2010 |
Reviews
Tags: The Crazies, Breck Eisner
Wake Up and Smell the Oscars: They Stink!new
Everyone has their wakeup moment about the Academy Awards: A moment when you put away childish belief and realize it’s not at all about art but about popularity (as Sally Field once indicated and then got lambasted for her clarity).
New York Press |
Armond White |
03-04-2010 |
Movies
Landmark Film is an Answer to the Age of Snarknew

Dealing with Davy Mitchell’s rush to maturity makes Easier With Practice more than a story about a young man obsessed with a phone-sex relationship. Davy’s dilemma captures a classic emotional uncertainty many people know but that most movies avoid. It features a true shock of recognition.
New York Press |
Armond White |
02-25-2010 |
Reviews
André Téchiné Explores Difficult Emotional Territory With Exquisite Detailnew

America may not be ready for André Téchiné’s superb new movie The Girl on the Train. To judge by the audience’s gasp at the film’s Lincoln Center world premiere last year, Téchiné’s signature interest in how race, class and sex intersect remains shocking.
New York Press |
Armond White |
01-21-2010 |
Reviews
It's Been a Banner Year For Brooklyn-Based Movies. But Is There a 'Brooklyn Film'?new

The notably thriving social enclaves of Brooklyn—particularly the areas of Williamsburg and Greenpoint—have grown increasingly gentrified in direct proportion to the down-and-dirty mystique. In that conflict lies a distinct two-headed beast ever-present in the movies of the region.
New York Press |
Eric Kohn |
12-10-2009 |
Movies
The Princess and the Frog Doesn't Bring Changenew
Hyped as offering the Walt Disney corporation's first African-American animated heroine, The Princess and the Frog actually refrains from expanding our social imagination.
New York Press |
Armond White |
12-04-2009 |
Reviews
'Gentlemen Broncos' is a Personal, Daring Film That Captures Eccentric Americananew

Treading that thin line between empathy and pity that also distinguished Napoleon Dynamite and Nacho Libre, Hess deals with the oddball aspirations frequently felt by teenage loners who escape into the fantasy worlds of sci-fi.
New York Press |
Armond White |
10-29-2009 |
Reviews
Tags: Gentlemen Broncos, Jared Hess
Michael Jackson's Genius is Brought Closer and Clarified in 'This Is It'new
Behind the tabloid image, Jackson's seen thinking, devising, improvising -- and performing masterfully. At age 50, Jackson was still a prodigy; possessed of protean talent and when in the company of collaborators he is inspired.
New York Press |
Armond White |
10-29-2009 |
Reviews