AltWeeklies Wire

Mermaids, Pirates, and Swords

Having dropped the dead-weight of Orlando Bloom and his guilty-by-association co-star Keira Knightley, the fourth installment of the "Pirates" franchise has finally discovered a way to be coherent.
City Pulse  |  Cole Smithey  |  05-16-2011  |  Reviews

Morgan Spurlock Gets Irrelevantnew

It's a huckster's dream: Spurlock makes his movie, the sponsors promote their brand, and the film distributor pockets a tidy sum. The audience is the one left holding the shopping bag.
INDY Week  |  Neil Morris  |  05-11-2011  |  Reviews

An Ignominious Auranew

Portland screenwriter Jonathan Raymond revamps the Western with Meek’s Cutoff.
Eugene Weekly  |  Rick Levin  |  05-09-2011  |  Reviews

Got a Prom Date? Disney Hopes You Do

What starts out as an all-too-formulaic teen romantic comedy settles into a forgivably recipe-driven think piece on the milestone significance of that unique social gathering known as the prom.
City Pulse  |  Cole Smithey  |  04-26-2011  |  Reviews

Upchuck and Awaynew

Failed superhero satire crosses the line into psychosis.
Orlando Weekly  |  Justin Strout  |  04-22-2011  |  Reviews

'Super' is a Hilarious Superhero Flick, but it's Not for the Faint of Heartnew

Super is kind of like a Kick-Ass that is devoid of any reservations about violent and vulgar content. Or you could call it the deranged cousin of John Ritter's 1980 comedy Hero at Large.
Tucson Weekly  |  Bob Grimm  |  04-21-2011  |  Reviews

'Rubber' Doesn't Live Up to its Creepy Expectationsnew

On the surface, Rubber seems like an homage to Roger Corman B-movies, but as it progresses, it becomes apparent that it is something else.
Charleston City Paper  |  Kevin Young  |  04-20-2011  |  Reviews

Filmmakers Annie Sundberg and Ricki Stern Review the First Part of Their Legacynew

Although their films have predominantly, and famously, dealt with pressing social issues and human drama, Stern and Sundberg do not necessarily see themselves as "issue-oriented" filmmakers.
INDY Week  |  Neil Morris  |  04-18-2011  |  Movies

Would-be Woody Allen-ish Indie 'happythankyoumoreplease'new

Writer-director-star Josh Radnor's film, placed in a superficially recognizable but lifeless version of Manhattan's East Village, is full of distractingly dissonant moments.
INDY Week  |  Nathan Gelgud  |  04-14-2011  |  Reviews

'The Loving Story' Looks at a Landmark in Marriage Equality and Civil Rightsnew

Directed and co-produced by Nancy Buirski, The Loving Story chronicles Mildred and Richard Loving's life leading up to the 1967 U.S. Supreme Court case Loving v. Virginia, in which the court unanimously overturned that state's miscegenation laws.
INDY Week  |  Lisa Sorg  |  04-14-2011  |  Movies

'Insidious' Makes the Haunted-House Plot Device Scary Againnew

There were many moments during this movie when I wanted to get the hell out of the theater ... for the right reasons: Yes, Insidious had me freaking out. This is easily the best thing James Wan has put to film.
Tucson Weekly  |  Bob Grimm  |  04-13-2011  |  Reviews

After a Brutal Beating, Mark Hogancamp Rebuilds with 'Marwencol'new

When Mark Hogancamp could no longer afford the rehabilitative services that he needed, he created his own version of therapy: a Belgian town, populated by Barbie dolls and their male counterparts, set in World War II and starring an inanimate version of himself.
Charleston City Paper  |  Susan Cohen  |  04-13-2011  |  Reviews

'The Confession': A TV Show That Doesn't Require A Pesky TVnew

The Hulu-only show fits more substantive dialogue into seven minutes than the entire DVD collection of Grey's Anatomy.
Boise Weekly  |  Damon Hunzeker  |  04-13-2011  |  Movies

Robert Redford Takes Stock of America in 'The Conspirator'

Robert Redford's first directorial effort since his 2007 anti-war polemic Lions for Lambs is a striking Civil War courtroom drama not far removed from a film like Bruce Beresford's Breaker Morant.
City Pulse  |  Cole Smithey  |  04-12-2011  |  Reviews

The Way Things Weren't: Oregon Trail Odyssey 'Meek's Cutoff' is Just Plain Odd

Kelly Reichardt's minimalist cinema-of-the-inane hits a painfully low ebb with an anti-western lacking any sign of a narrative arc.
City Pulse  |  Cole Smithey  |  04-11-2011  |  Reviews

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