AltWeeklies Wire

When the Boss Became 'The Boss'new

Born To Run is the frozen moment in time for many Bruce Springsteen fans. In Wings for Wheels, a documentary included with Columbia's reissue of BTR, Springsteen describes the album as the sound of "one endless summer night."
Boston Phoenix  |  Joyce Millman  |  12-08-2005  |  Reviews

Bringing Real Music to the Toddler Crowdnew

Dan Zanes had a kid and went searching for music for her. When he couldn't find the updated 21st century folk music that was in his head, he made his own.
Creative Loafing (Atlanta)  |  Al Kaufman  |  12-08-2005  |  Profiles & Interviews

Breaking Freenew

Born out of the dot-com bust, Rogue Wave is on the rise.
Tucson Weekly  |  Annie Holub  |  12-07-2005  |  Profiles & Interviews

Intertwined Voicesnew

Freakwater's first album in five years tackles sad topics without being maudlin.
Tucson Weekly  |  Linda Ray  |  12-07-2005  |  Profiles & Interviews

Beatle Zanianew

Wisconsin-based Beatallica are ruining the Beatle cover-band racket.
Boston Phoenix  |  Matt Ashare  |  12-06-2005  |  Profiles & Interviews

Gwaan Mash Up Di Dancenew

Jamaican dancehall deity Beenie Man talks about his early days, his good works for the kids and the controversies that dog him.
Montreal Mirror  |  Erin MacLeod  |  12-06-2005  |  Profiles & Interviews

Bantam Menacenew

The small time is over for self-described "multi-talented munchkin" Lady Sovereign. The sassy United Kingdom grime MC is primed to blow up bigger in North America than any before her.
Montreal Mirror  |  Scott C  |  12-06-2005  |  Profiles & Interviews

Still Believin'new

Journey's pop-drenched rock unites boomers and scenesters.
Colorado Springs Independent  |  Aaron Retka  |  12-05-2005  |  Profiles & Interviews

Master and Sacramentnew

In Tribeca, the greatest bluesman standing teases, withholds, and then whams his differentiations all the way home.
The Village Voice  |  Robert Christgau  |  12-05-2005  |  Profiles & Interviews

Heartland Homegirlnew

Brandi Carlile's debut CD offers countrified comforts peppered with a few surprises: warm, sturdy, languorous folk-pop guided by strummed acoustic guitars and a gentle rhythm section with an alt-country lilt.
Boston Phoenix  |  Michael Alan Goldberg  |  12-05-2005  |  Reviews

John Lennon 1940-1980new

The cover of the Dec. 16, 1980, issue of the Boston Phoenix was meant to be the annual holiday supplement. But the assassination of John Lennon sent the staff scrambling for a replacement. The paper marks the 25th anniversary of Lennon's death with an online reprint of its original coverage and tribute.
Boston Phoenix  |  Michael Gee, Kit Rachlis and the Phoenix staff  |  12-02-2005  |  Music

Age Before Beauty

Fiery Furnaces' new Rehearsing My Choir begins to grow on a critic after she listens to it roughly 23 times. Of course, spending nearly a day of your life with someone else's art-rock quasi-oral history won't appeal to just anybody.
Washington City Paper  |  Anne Marson  |  12-02-2005  |  Reviews

For Better and Worsenew

It's time to give Donovan his due. Often dismissed, he was, when he was good, both distinct and representational, a performer who ingested and then reflected the temper of the times.
Boston Phoenix  |  Richard C. Walls  |  12-02-2005  |  Reviews

Under the Shinfluence

Oakland, Calif.'s, Rogue Wave is a perfect example of the new Sub Pop signee. Its music is mellow, catchy, and rooted in indie-rock tradition. It's not as blue-collar brutal as, say, Tad or Soundgarden, but it's not wholly without aggression or grandiosity, either.
Washington City Paper  |  David Dunlap Jr.  |  12-02-2005  |  Reviews

Substance Abusenew

The English band Darkness’s second album, One Way Ticket to Hell . . . And Back , continues the English band's unblinking voyage into the preposterous.
Boston Phoenix  |  James Parker  |  12-02-2005  |  Reviews

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