AltWeeklies Wire

The Sounds of Musicnew

Admiring documentary about Robert Moog, the inventor of the music synthesizer, reveals little that hasn't been heard before.
Austin Chronicle  |  Marjorie Baumgarten  |  11-28-2004  |  Reviews

Sex and the Married Mannew

Kinsey enshrines the scientist at the expense of a more rigorous and more profound scrutiny.
Austin Chronicle  |  Kimberley Jones  |  11-28-2004  |  Reviews

Holiday Pap and Circumstancenew

Christmas With the Kranks is a film so utterly denuded of genuine holiday charm that it ranks with Santa Claus Conquers the Martians as one of the most jaw-droppingly abysmal seasonal efforts yet released.
Austin Chronicle  |  Marc Savlov  |  11-28-2004  |  Reviews

You Can Call Me Alnew

Oliver Stone has achieved the impossible: He's made the life of Alexander the Great seem boring.
Austin Chronicle  |  Marc Savlov  |  11-28-2004  |  Reviews

Old Flame Still a Scorchernew

Part colorful noir, part scatterbrained comedy, Testosterone envisions the severed tether of a presumably functional relationship.
Austin Chronicle  |  Marc Savlov  |  11-18-2004  |  Reviews

Box Office Clamsnew

Nautical nonsense from a highly absorbent animated hero.
Austin Chronicle  |  Marrit Ingman  |  11-18-2004  |  Reviews

Fun With Dolls and Jennifer Tillynew

Over-the-top gore is the rule when Chucky and Tiffany are resurrected by their anatomically incorrect offspring.
Austin Chronicle  |  Marc Savlov  |  11-18-2004  |  Reviews

When Obsession Is the Family Businessnew

Odd casting and unimaginative, workmanlike direction make the painfully overlong National Treasure an exercise in mediocrity.
Austin Chronicle  |  Marc Savlov  |  11-18-2004  |  Reviews

Love in Vainnew

Filmed in a rather minimalist style, this adaptation of the Ian McEwan novel tells an unsettling story about a stalker’s effect on a relationship.
Austin Chronicle  |  Marjorie Baumgarten  |  11-18-2004  |  Reviews

Vision and Focusnew

First-time screenwriter Joe Conway merges his narrative voice with filmmaker David Gordon Green's visual poetics – with a little help from Terrence Malick.
Austin Chronicle  |  Marjorie Baumgarten  |  11-12-2004  |  Profiles & Interviews

A Drama Queen Who Earns Her Titlenew

There are so few really great film roles written for middle-aged women that when one comes along and it stars the near-perfect Annette Bening, it’s disappointing that the rest of the movie does not equal her performance.
Austin Chronicle  |  Marjorie Baumgarten  |  11-12-2004  |  Reviews

Caught in the Big Muddynew

Cross-pollinate the arthouse film with B-movie backwoods gothic, and you get something like Undertow’s peculiar fusion of high and low culture.
Austin Chronicle  |  Kimberley Jones  |  11-12-2004  |  Reviews

Engine Troublenew

There’s Christmas magic in Zemeckis’ film, but there’s also a bizarre, palpable sense of unease that's due to the animation style, which despite its faithful replication of author Chris Van Allsburg’s painterly compositions, doesn’t translate all that successfully to the screen.
Austin Chronicle  |  Marc Savlov  |  11-12-2004  |  Reviews

Blues Film Lights a Sparknew

Ostensibly a record of one mighty blues show, this film goes beyond the tag of concert film and achieves something more: a living history lesson, tracing the evolving sound of the blues.
Austin Chronicle  |  Marc Savlov  |  11-12-2004  |  Reviews

Keeping Up With the Jones Sequelnew

Cast is excellent; movie is OK; men and women are soooo different.
Austin Chronicle  |  Marrit Ingman  |  11-12-2004  |  Reviews

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