AltWeeklies Wire

Jon Spencer Knows Heavy Trash is Confusingnew

Taking their inspiration -- and title -- from the 1926 autobiography of itinerant petty crook Jack Black, the men of Heavy Trash go for strip-club grind and analog-tape manipulation, allowing Spencer to deliver a hilarious but spooky sermon on post-9/11 America.
The Georgia Straight  |  Adrian Mack  |  11-19-2007  |  Profiles & Interviews

Jam-happy Gov't Mule Dives Deep into Dubnew

Many longtime lovers of the group's southern-tinged rock sound have been puzzled by its new direction: reggae, with a side dish of dub.
The Georgia Straight  |  Alexander Varty  |  11-12-2007  |  Profiles & Interviews

HIM's Ville Valo Rolls in Gloom and Glamnew

While the lyrical bent of HIM tends toward the gloomy, the music on Venus Doom is actually quite upbeat, drawing on everything from '90s alt-metal to '80s glam-pop to '70s guitar-rock.
The Georgia Straight  |  Steve Newton  |  11-12-2007  |  Profiles & Interviews

M.I.A. on Making Troublenew

A kind of audio travelogue of her visits to India, Angola, Liberia, and Trinidad, M.I.A.'s excellent Kala succeeds not just musically it's one of the year's best records but as a powerful symbol of activism in an era of rampant political apathy and self-absorption.
The Georgia Straight  |  Martin Turenne  |  11-12-2007  |  Profiles & Interviews

Beats Without Borders Make Responsible Worldbeatnew

The group's tag has an alliterative hook, and gives a clear indication of the four spinners' music and ethos.
The Georgia Straight  |  Tony Montague  |  11-02-2007  |  Profiles & Interviews

The Locust Make New Symponies of Destructionnew

Formed in the mid '90s, the Locust used to specialize in short, shard-strewn blasts of terrifying, synthesizer-fuelled noise, but the group finds itself no longer satisfied with playing jarring salvos of bizarro punk.
The Georgia Straight  |  Gregory Adams  |  11-02-2007  |  Profiles & Interviews

Maroon 5 Hits the Sweet Spot Between Money and Mojonew

Maroon 5 isn't one of the biggest bands on earth because of its content. Adam Levine's lyrics are primed for rhythm and sound; the subject matter doesn't extend much beyond breakup testimonials and soft-focus relationship angst.
The Georgia Straight  |  Adrian Mack  |  11-02-2007  |  Profiles & Interviews

A Hard Drive to the Bordernew

A Vancouver recording studio has become involved in an international incident involving a member of Death Cab for Cutie and the United States Department of Homeland Security.
The Georgia Straight  |  John Lucas  |  10-29-2007  |  Music

Caribou: Harmony in His Headnew

Caribou's approach to music-making has become increasingly conventional, but Andorra is no less wonderful for it.
The Georgia Straight  |  Martin Turenne  |  10-29-2007  |  Profiles & Interviews

Deborah Harry Stretches Vocal Chordsnew

Her fifth since 1981's Koo Koo, and her first in 14 years, Necessary Evil finds the singer working with a Brooklyn-based version of the Matrix.
The Georgia Straight  |  Staff  |  10-22-2007  |  Reviews

Cop-show Themes Sparked Kavinsky's Arresting Electronew

In 1984, two major events occurred that shaped Parisian electro producer Vincent Belorgey's life: in America, Miami Vice made its television premiere, and in France, nine-year-old Belorgey (aka Kavinsky) quit taking piano lessons for good.
The Georgia Straight  |  Martin Turenne  |  10-22-2007  |  Profiles & Interviews

Basia Bulat is Gorgegousnew

But don't hold it against her.
The Georgia Straight  |  Alexander Varty  |  10-22-2007  |  Profiles & Interviews

Matthew Hart's Heart is in Songwritingnew

A funny thing happened to Hart on the way to becoming Canada's next Bob Rock.
The Georgia Straight  |  Martin Turenne  |  10-22-2007  |  Profiles & Interviews

The Framptons Come Alivenew

Meg & Dia's retro feel makes it seem like they might have shared a practice space back in the day with Lollapalooza-era footnotes, but they're barely in their twenties.
The Georgia Straight  |  Mike Usinger  |  10-22-2007  |  Profiles & Interviews

Duo Makes Justice for Allnew

Justice, with backgrounds in graphic design, is a middle finger to anyone who takes their dancing too seriously.
The Georgia Straight  |  Martin Turenne  |  10-12-2007  |  Profiles & Interviews

Narrow Search

Publication

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range