AltWeeklies Wire

The Panic Division: 'Eternalism'new

The Panic Division's first album since the Sleepwalker EP (2009) feels like a second Colton Holliday solo album in its continuation of a mix he's grown comfortable with: synth-rock, layers and layers of guitars, strong hooks and melodies, and that type of sweet darkness Interpol is — or used to be — good at.
San Antonio Current  |  Enrique Lopetegui  |  02-27-2012  |  Reviews

Sleigh Bells: 'Reign of Terror'new

Several of the bands that grabbed critical attention with the sugary-pop-through-blown-speakers aesthetic popular a few years back (Wavves, Dum Dum Girls) managed to remain relevant by totally not doing that shit anymore.
San Antonio Current  |  Jeremy Martin  |  02-27-2012  |  Reviews

Ana Tijoux: 'La Bala'new

French-Chilean MC Ana Tijoux's second solo album (and third overall) isn't an album, it's a Molotov cocktail assembled by a girl who doesn't rap, but spits fire.
San Antonio Current  |  Enrique Lopetegui  |  02-27-2012  |  Reviews

No Grammy, but Eric Church is still our ‘Homeboy’new

You could say that Eric Church's North Carolina homecoming went a lot like the lyrics to his recent No. 1 country single "Drink In My Hand." He filled it up, he threw down and, judging from the careful attention he paid to the red Solo cup full of whiskey on his mic stand, he likely got a little hungover.
YES! Weekly  |  Ryan Snyder  |  02-27-2012  |  Reviews

Feel His T-Painnew

Hip-hop's best-known Auto-Tunesmith makes his pitch for respect.
Colorado Springs Independent  |  L. Kent Wolgamott  |  02-27-2012  |  Profiles & Interviews

War and Peacenew

Ani DiFranco lets go of her inner conflicts.
Colorado Springs Independent  |  Alan Sculley  |  02-27-2012  |  Profiles & Interviews

Pay to Playnew

It's nothing new, but music licensing fees still plague local businesses.
East Bay Express  |  Kathleen Richards  |  02-24-2012  |  Music

Nothing Mattersnew

Nika Danilova is liberated by nihilstic rhetoric on meaninglessness to create meaningful music.
Salt Lake City Weekly  |  Austen Diamond  |  02-24-2012  |  Profiles & Interviews

Saturday Night Satellites: 'Drop City'new

This local trio explores similar territory as Austin’s Black Angels, mining sweltering neo-psych with raw garage presence.
San Antonio Current  |  Chris Parker  |  02-23-2012  |  Reviews

Onward, Soldiers' Monstersnew

On Monsters, Onward, Soldiers' talent is clear, but their focus is not.
INDY Week  |  Jordan Lawrence  |  02-22-2012  |  Reviews

Move Over, Tool — Secret Secure is Herenew

Before taking over the world and the BBC's Top of the Pops, the early Beatles leaned on John Lennon to cheer them out of depressed bouts in shitty dressing rooms.
San Antonio Current  |  Enrique Lopetegui  |  02-16-2012  |  Reviews

Mrs. Howl: 'Lovie & a Yellow Lamp'new

It’s not difficult to see why Girl in a Coma’s Nina Díaz might take an interest in producing Dallas-to-SA transplants Mrs. Howl.
San Antonio Current  |  Adam Villela Coronado  |  02-16-2012  |  Reviews

Jeff Mangum Thrills Chapel Hill Crowd

It took some coaxing from the unassuming Jeff Mangum before the murmur of voices was mildly audible, and it wasn’t until nearly the end of his set that his hundreds of new back-up vocalists actually raised their voices to meet him.
YES! Weekly  |  Eric Ginsburg  |  02-16-2012  |  Reviews

Paying Respect to the Queen of Soul

She sang at Obama’s inauguration. She sang at King Curtis’s funeral. She even sang at Wrestlemania in its golden years, but after a lengthy wait and serial cancellations, Aretha Franklin finally came back to sing for North Carolina.
YES! Weekly  |  Ryan Snyder  |  02-16-2012  |  Reviews

Get to know this guy A$AP

By about 12:10 a.m. early Saturday morning at Greene Street Club, the scene on stage had essentially crumbled. What was at one time a sold-out hip-hop show by one of the brightest up-and-coming rappers out there had become an unidentifiable onstage cluster of iPhone documentarians, dumbfounded security, a few random dudes smoking kush, and the show’s headliner hovering in the mix. Dirty South hip-hop is legendary for shows like this, but that it was Harlemite A$AP Rocky is what makes it all the more curious.
YES! Weekly  |  Ryan Snyder  |  02-16-2012  |  Reviews

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