AltWeeklies Wire

Pure Post-Postpunk for Then People

You may very well be able to judge a record by its smiling bohemians gathered-'round-a-campfire cover.
Washington City Paper  |  Brent Burton  |  06-02-2006  |  Reviews

Stark Raving Madrigal

This is more Seeger than Dylan, more purist than progressive.
Washington City Paper  |  Brent Burton  |  06-02-2006  |  Reviews

Pol Vault

The movie, for all its gleeful violence, also packs a social conscience.
Washington City Paper  |  Mark Jenkins  |  06-02-2006  |  Reviews

All Hams on Deck

This is a lame imitation of American action movies right down to the line "You and I -- we're the same."
Washington City Paper  |  Jason Powell  |  06-02-2006  |  Reviews

Sit a Spell

This is squirmily funny.
Washington City Paper  |  Tricia Olszewski  |  06-02-2006  |  Reviews

His Finest Hour

The movie means to emphasize the banality of the man's fate, and it does that job a little too well.
Washington City Paper  |  Mark Jenkins  |  06-02-2006  |  Reviews

Blockbuster

This is a relaxed tribute to a famous friend, but there are moments that point in the untaken direction of a more interesting film.
Washington City Paper  |  Mark Jenkins  |  06-02-2006  |  Reviews

Adjust the Facts

Maybe it will inspire a few people to trade in their SUVs, but the inconvenient truth is that this film is likely to do more for Gore's political profile than for the soon-to-be-submerged residents of West Bengal.
Washington City Paper  |  Mark Jenkins  |  06-02-2006  |  Reviews

I, Jonathan

Art Brut is totally smart, totally stoopid, or both.
Washington City Paper  |  Shannon Zimmerman  |  05-26-2006  |  Reviews

The Simian Line

This sounds as if it's coming to you live from a boom box located at the far end of the local tube station.
Washington City Paper  |  Shannon Zimmerman  |  05-26-2006  |  Reviews

The Lady Punishes

Is there any difference between justice and revenge?
Washington City Paper  |  Mark Jenkins  |  05-26-2006  |  Reviews

Not Subtle

The film's rhetorical excesses will make you long for the one quality that both the film and the former mayor lack: nuance.
Washington City Paper  |  Louis Bayard  |  05-26-2006  |  Reviews

Flense With Benefits

All of this high-concept clutter just emphasizes that Barney has yet to learn how to use cinema to create illusions (or perhaps just doesn't care to).
Washington City Paper  |  Mark Jenkins  |  05-26-2006  |  Reviews

The Man With the Olden Gun

Hillcoat wavers between gripping and ponderous.
Washington City Paper  |  Tricia Olszewski  |  05-26-2006  |  Reviews

Add Eh to X

And you thought V for Vendetta was heavy-handed.
Washington City Paper  |  Tricia Olszewski  |  05-26-2006  |  Reviews

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