AltWeeklies Wire

Kung Fu Hustle Kicks Genre Into Whole New Realmnew

Kung Fu Hustle isn't just a goofy, gravity-defying combo of two-fisted action flick and anything-for-a-laugh parody. It feels like the latest volley in a globe-spanning table tennis match between American and Hong Kong filmmakers.
Creative Loafing (Atlanta)  |  Curt Holman  |  04-21-2005  |  Reviews

Film Turns National Tragedy Into Predictable Thrillernew

The way the film uses references to genocide, homicidal dictators and AIDS gives a shallow, disturbing quality to a routine Hollywood thriller. Africa may have limited economic value to the West, but its steady stream of real-life nightmares could be its best export for Hollywood filmmakers willing to craft entertainment out of other nations' misery.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-21-2005  |  Reviews

Romantic Comedy Ends Up Actually Being About Somethingnew

The pointedly unfunny first half-hour makes Fallon and Barrymore look like big-screen comedy rookies. But once the film starts digging into sports rituals, fan psychology and incompatible passions, Fever Pitch turns into the rare Hollywood romantic comedy that's actually about something.
Creative Loafing (Atlanta)  |  Curt Holman  |  04-14-2005  |  Reviews

The Thug Franchise Continuesnew

Hip-hop mogul Damon Dash is already loaded, so it's incomprehensible why he would need to sell this nihilistic, violent cinematic crack to a world that already has plenty of hate to go around.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-14-2005  |  Reviews

Little Gems Found Among Oscar-Nominated Short Filmsnew

Episodes from and about youth shine in Academy Award Nominated Shorts 2005, a program made up of four live-action and four animated short Oscar contenders.
Creative Loafing (Atlanta)  |  Curt Holman  |  04-14-2005  |  Reviews

Father-Daughter Relationship Suffersnew

Conveying a muddle of vanity, pride, vulnerability and heartsickness, Daniel Day-Lewis breaks your heart with his portrayal of an off-the-grid hippie who is running on the fumes of a failed Utopia.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-07-2005  |  Reviews

Eros' Three-Pronged Poke Leaves a Lot to be Desirednew

Eros feels almost entirely irrelevant, when each of its directors has already crafted memorable films in which desire and longing are the subflooring of daily life.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-07-2005  |  Reviews

Movie Tries to Turn Woody Allen's Frown Upside Downnew

Seeing Melinda and Melinda is like watching a filmmaker beat himself up, which would be funny if it wasn't so sad.
Creative Loafing (Atlanta)  |  Curt Holman  |  04-07-2005  |  Reviews

Heroic Efforts and Silly Plot Turns Leave Earnest Sahara in the Dustnew

Sahara has a world-is-my-oyster feel rooted less in the magic of moviemaking than it is in a jingoistic belief embraced by some Americans, of their own homegrown superheroic capabilities. An African civil war, deadly plague and a gorgeous lady doctor just don't stand a chance.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-07-2005  |  Reviews

Pretty in Pink Answer to Neighborly Brother in Lovenew

Beauty Shop limps feebly along when plot details intrude to gum up the film's frothy, escapist works.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-31-2005  |  Reviews

Director Danny Boyle Gets Lost in the Plot of Millionsnew

Millions starts off with a bushel of important ideas. But by the end, there's just the hero battling a stock baddie as all directorial attention turns to foiling the crook a la Home Alone.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-31-2005  |  Reviews

Sin City Beats Noir Genre to a Pulpnew

Sin City's lurid, brutal stories unfold in a black-and-white world with rare intrusions of color -- but no sunlight, no superfluous people and scarcely any props beyond weapons, muscle and skin.
Creative Loafing (Atlanta)  |  Curt Holman  |  03-31-2005  |  Reviews

Actor/Director Ray McKinnon Revels in the Real Southnew

In 2002, Ray McKinnon won an Oscar for writing, directing and playing the title character in The Accountant, a short film that is one of the best -- and funniest -- movies ever made about the realities of Dixie.
Creative Loafing (Atlanta)  |  Curt Holman  |  03-31-2005  |  Profiles & Interviews

D.E.B.S.new

This flick about four foxy crime-fighters attending spy college is campy enough to be bad, but it's not bad enough to be campy.
Creative Loafing (Atlanta)  |  Heather Kuldell  |  03-24-2005  |  Reviews

Harold Lloyd Film Project Recalls the Career of a Film Pioneernew

One of the overlooked stars of film comedy, atypical comic goof ball Harold Lloyd, promised audiences they could eventually triumph over social class and empty pockets by recasting comedy's chump into a triumphant winner.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-24-2005  |  Reviews

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