AltWeeklies Wire

The Revival of the Georgia Film Industrynew

Georgia's once popular native filmmaking business has undergone dramatic accelerations and reversals worthy of any car chase scene. A new state law and the work of filmmakers like Ray McKinnon could signal a creative upswing.
Creative Loafing (Atlanta)  |  Curt Holman  |  10-07-2005  |  Profiles & Interviews

Animation Film Tweaks Horror Clichesnew

If not as clever as you'd hope, Wallace & Gromit: Curse of the Were-Rabbit amusingly tweaks horror flick clichés while constructing some brilliant slapstick set pieces.
Creative Loafing (Atlanta)  |  Curt Holman  |  10-06-2005  |  Reviews

Perceptive Film Ponders Society's Illsnew

Though a little heavy on the wispy indie-rock expression of melancholia, Thumbsucker embraces a wide range of people and their problems, leaving you with a lasting warm glow.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  10-06-2005  |  Reviews

Quirky Road Trip Takes Melancholy Turnnew

Rather than aiming to please, the film expects a certain patience on the viewer's part as it ambles and slowly shifts from an often forced quirkiness to a bone-deep melancholy. That change of tack proves worth waiting for.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  10-06-2005  |  Reviews

Who is That Masked Woman?new

MirrorMask's dream world looks like the last place you'd want to visit and never conveys a sense of its rules or makes a firm connection to the real world.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-29-2005  |  Reviews

Sci-Fi Nail-Biternew

Serenity remains a four-star experience for anyone familiar with "Firefly," and the sheer novelty of seeing a space opera with smart dialogue and credible characters will leave audiences floating on air.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-29-2005  |  Reviews

The Plight of Childrennew

Roman Polanski offers a flawed but harrowing, empathetic view of the world seen through the eyes of its most powerless and invisible citizens. Oliver Twist's salvation comes at a great cost.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-29-2005  |  Reviews

Viggo Mortensen is Compromised Hero in Cronenberg Thrillernew

A History of Violence, as its title implies, is a profound examination of a world divided into "good" and "bad," where we reflexively cheer on the "right" kind of violence and recoil at the "wrong" kind.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-29-2005  |  Reviews

Film Loses Something in Translation from Stage to Screennew

Ideas treated so passionately in David Auburn's play -- like the thin line separating madness and genius, for instance -- are hardly given the focus they deserve in John Madden's truncated Proof.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-22-2005  |  Reviews

Thin Movie Has Some Lovely Bonesnew

Tim Burton's loose reenactment of a Russian folk tale seems a bit blase about mortality, treating it as no more menacing than an uninvited party guest.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-22-2005  |  Reviews

Three Segments Imagine Different Outcomes for Filmnew

November was shot on digital video, and with its eerie technological sputters and fishbowl moodiness of glum blue-green light, it manages to achieve Seven-like atmosphere on a surprisingly low budget.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-15-2005  |  Reviews

Undead Romantic Comedynew

The huggable stars and unusual plot twist deserve more than the thin script and flat jokes: The angels mostly frown on Just Like Heaven.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-15-2005  |  Reviews

Losing Their Waynew

The filmmakers' lack of self-consciousness in depicting Kumbh Mela, a spiritual journey that attracts millions, through a tourists' filter speaks volumes to their naiveté and distance from the event they so clearly long to honor.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-15-2005  |  Reviews

Film Has Been in Time Warp Itselfnew

It's hard to hate a film with red-faced dinosaur baboons, but to rescue A Sound of Thunder, we'd need to go back in time and give the director some special effects that don't suck.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-08-2005  |  Reviews

Arab-Western Relations Play Out in the Bedroomnew

For all her film's self-awareness and moments of soft-core romantic ecstasy, Director Sally Potter is also profoundly insightful about the various tensions that define our lives, which her two mismatched lovers so beautifully illustrate.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-08-2005  |  Reviews

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