AltWeeklies Wire

Mild Experimentation: 'Tonight: Franz Ferdinand'new

With this release, Franz Ferdinand takes an interesting path to bridge the chasm between the fans they quickly garnered and their relevancy in a constantly amnesiac music scene.
Tucson Weekly  |  Michael Petitti  |  02-05-2009  |  Reviews

'Tonight: Franz Ferdinand'new

The Scottish quartet don’t tinker with the formula too drastically on Tonight: Franz Ferdinand. Good thinking.
OC Weekly  |  Albert Ching  |  02-03-2009  |  Reviews

Hardly a Tale of Redemption: Deleted Scenes' 'Birdseed Shirt'new

At first glance, thanks to song titles such as "Got God," "Mortal Sin" and "Deacons," it seems like Deleted Scenes' debut album, Birdseed Shirt, is going to be some kind of Christian rock compilation. Once you stop judging the album by its cover, though, it's clear that the four-piece probably isn't jammin' for J.C.
Isthmus  |  Jessica Steinhoff  |  02-02-2009  |  Reviews

The Finer Points of Outstaying Your Welcome, Starring Scott Weiland and The Gamenew

Rock 'n' roll wraith Scott Weiland and embattled gangsta rapper The Game have one thing in common: Each has overstayed his welcome but continues to enjoy mainstream success by luck, or by the grace of God. In terms of both studio alchemy and tabloid foibles, neither brings anything especially crucial to the cultural table.
Baltimore City Paper  |  Raymond Cummings  |  01-27-2009  |  Music

Obfuscatory and Fine: A.C. Newman's 'Get Guilty'new

Lucky for us, A.C. Newman's brief tryst with Mischa Barton is really just the tip of the iceberg in terms of his contributions to contemporary pop-rock.
Tucson Weekly  |  Sean Bottai  |  01-22-2009  |  Reviews

Pictures Alive: Wovenhand Gets Spiritual in Order to Communicatenew

When David Eugene Edwards, leader of the gothic-industrial-Americana band Wovenhand, turns his profoundly deep voice to a biblically inspired lyric, he's not just exercising potent metaphors.
Tucson Weekly  |  Gene Armstrong  |  01-22-2009  |  Profiles & Interviews

Tune In to the Turned-On Dropouts, Asa Ransomnew

"I Like to walk to the center of an intersection!" wails Jacob Bills, lead singer and sole guitarist of Brooklyn-based four-piece rock noisemakers Asa Ransom, a touch of whimsy and madcap paranoia in his voice. Playing up on the extreme highend of his guitar’s neck, his bandmates musically swirling around him, Bills's description of playing amidst traffic seems pretty apt.
New York Press  |  Greg Burgett  |  01-22-2009  |  Profiles & Interviews

Iranian Rock Band Hypernova Will Not Bow Down to Your Godnew

They've earned comparisons to Interpol and Bauhaus, although Raam's striking baritone more closely resembles that of the late Ian Curtis.
Colorado Springs Independent  |  Bill Forman  |  11-13-2008  |  Profiles & Interviews

Chunklet's Henry Owings Lays Down the Rules in 'The Rock Bible'new

Mere mortals tremble at Owing's caustic humored sensibilities toward pop and culture. So when he came up with a "rock bible" idea for issue 20 and it exploded into a 250-page Word file in two weeks with more than 300 ideas from his contributors and friends, a book was in order.
Philadelphia City Paper  |  A.D. Amorosi  |  11-11-2008  |  Author Profiles & Interviews

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