AltWeeklies Wire

Phonograph Straddles the Americana/Post-Rock Fencenew

Bands that escape being pigeonholed are often fun and interesting, but in the case of Brooklyn's Phonograph, perhaps only the latter is true.
Tucson Weekly  |  Jarret Keene  |  09-23-2009  |  Reviews

The Dodos' Latest Album is Light and Wickednew

Time to Die sounds careful and calculated, pleasant enough to draw in the listener, but sadly not delivering much else once you're inside.
Tucson Weekly  |  Eric Swedlund  |  09-23-2009  |  Reviews

Pink Martini Seeks to Meld World Influences With the Beauty of Old-School American Culturenew

Of his 12-piece band Pink Martini, Thomas M. Lauderdale likes to say, "If the United Nations had a band in 1962, we would be that band."
Tucson Weekly  |  Gene Armstrong  |  09-23-2009  |  Profiles & Interviews

The Golden Silvers are a Band That Just Wants You to Have a Good Timenew

The debut album from London's Golden Silvers is a melange of Saturday-morning cartoon pop, rock opera and disco dance party.
Tucson Weekly  |  Sean Bottai  |  09-16-2009  |  Reviews

Oh My God Juggles Eccentric Art Rock, Grimy Blues and Pop Songcraftnew

The duo of singer-bassist Billy O'Neill and organist-singer Ig have created a disarmingly emotional statement of 10 songs that explore the struggle and strife of day-to-day living.
Tucson Weekly  |  Gene Armstrong  |  09-16-2009  |  Reviews

The Fleet Foxes' J. Tillman Makes Dark and Quiet Folk Musicnew

J. Tillman's clear talent in arranging acoustic instruments to draw richness from simplicity and his strong voice make this album pleasing, perfect for a quiet room and watching the twilight fade to darkness.
Tucson Weekly  |  Eric Swedlund  |  09-16-2009  |  Reviews

The Pains of Being Pure at Heart are Becoming an Indie Sensationnew

When the band's self-titled debut LP was released in February, The Pains of Being Pure at Heart had the attention of tastemakers from The New York Times to Pitchfork and Stereogum, but Kip Berman says it was hardly an overnight turn.
Tucson Weekly  |  Eric Swedlund  |  09-16-2009  |  Profiles & Interviews

'Popular Songs' Showcases Yo La Tengo as a Self-Assured and Versatile Bandnew

Yo La Tengo's latest album concludes with three endlessly mesmerizing jams that stretch across the album's final 37 minutes -- and it's some of the most beautiful, cogent music the band has made.
Tucson Weekly  |  Eric Swedlund  |  09-16-2009  |  Reviews

To Call 'Blue Roses' Atmospheric Would be a Vast Understatementnew

If Tori Amos stole Harriet Wheeler's larynx and used it to make a baroque folk album with Rufus Wainwright's cabaret sensibility, you'd get Blue Roses, the eponymous debut of Yorkshire vocalist/guitarist Laura Groves.
Tucson Weekly  |  Sean Bottai  |  09-16-2009  |  Reviews

Mount Eerie's 'Wind's Poem' is Best When Quietnew

As the dust settles, it is clear that Phil Elverum's black metal is a different breed.
Tucson Weekly  |  Michael Petitti  |  09-16-2009  |  Reviews

Fishtank Ensemble Keeps it Extremely Old-Schoolnew

The band combines traditional gypsy music and varied other styles into a gloriously eclectic mixture.
Tucson Weekly  |  Gene Armstrong  |  09-16-2009  |  Profiles & Interviews

A.A. Bondy: Devilishly Awesomenew

Bondy's high-decibel background recedes further into his rearview with his second folk-music effort.
Tucson Weekly  |  Jarret Keene  |  09-02-2009  |  Reviews

Jack Penate: Taffy and Bassnew

Everything actually isn't new on Peñate's sophomore effort, but several bright tracks are worth the purchase price alone.
Tucson Weekly  |  Sean Bottai  |  09-02-2009  |  Reviews

Greymachine: Apocalypse Knockingnew

This collaboration may not be everyone's cuppa, but for connoisseurs of the heavy, it is unrelenting and earth-shaking.
Tucson Weekly  |  Gene Armstrong  |  09-02-2009  |  Reviews

Obituary: In the Pocketnew

The death-metal pioneers are content to crush eardrums at medium speed.
Tucson Weekly  |  Jarret Keene  |  09-02-2009  |  Profiles & Interviews

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