AltWeeklies Wire

A hardworking redneck rapper like Yelawolf can't get nowherenew

On his own, Yelawolf crossed into the realms of pop, R&B and party music just fine. But when Eminem unveiled the first single from Yelawolf's debut on Shady Records, the album that followed was a mixed bag of half-baked attempts at branching out.
INDY Week  |  Brandon Soderberg  |  11-14-2012  |  Profiles & Interviews

The instructive joy of artist-led labelsnew

Little labels started by musicians work because they understand the music industry and its oft-diminishing margins.
INDY Week  |  Grayson Currin  |  10-24-2012  |  Music

Beloved Binge's Pocketsnew

They might've left town for a while, but Pockets proves Beloved Binge kept pace with Durham.
INDY Week  |  Bryan C. Reed  |  09-20-2012  |  Reviews

Some Army's Second EPnew

Within a modest 29 minutes, this six-strong Carrboro outfit synthesizes shoegaze and indie-pop sounds; despite their far-flung touchstones, these songs still feel distinctly Southern in execution. (self-released)
INDY Week  |  Corbie Hill  |  09-20-2012  |  Reviews

The Old Ceremony's Fairytales and Other Forms of Suicidenew

As a whole, this is the most convincing collection in The Old Ceremony's catalog, proof that the past, present and future of this veteran ensemble remain exciting. (Yep Roc)
INDY Week  |  Jordan Lawrence  |  09-20-2012  |  Reviews

Why Girl Talk's Unlikely Career is a Big Dealnew

Gregg Gillis is doing something traditionalists angrily claim isn't music—and then making a living off of it, all without charging for his records.
INDY Week  |  Corbie Hill  |  09-19-2012  |  Music

The Evil Tenors' Peach Fuzznew

Peach Fuzz finds Durham's Nathan White breaking in a new sound and a new personality, adapting to unfamiliar surroundings and figuring out how to fit in.
INDY Week  |  Jordan Lawrence  |  09-12-2012  |  Reviews

The surprising perseverance of psychedelianew

Unyoked from its tie-dyed connotations, psychedelia is right in tune with a world where surrealism and high-definition realism have become the norm.
INDY Week  |  David Klein  |  09-07-2012  |  Music

The Rise of Intricacy in Indie Rock's Female Voicesnew

The past few years have seen complicated, virtuosic singing—previously confined to big-label product—come to define female artists breaking new ground.
INDY Week  |  Jeff Klingman  |  09-06-2012  |  Music

Simple Music Video Series: American Aquarium's "Jacksonville" and "Northern Lights"new

When asking BJ Barham of American Aquarium about his then-recent recording session with Jason Isbell, an immediate smile came over an otherwise exhausted face: "Fucking amazing!" Not much more needed to be said.
INDY Week  |  Dan Schram  |  08-27-2012  |  Profiles & Interviews

American Aquarium's Burn. Flicker. Die.new

"Pretty soon I'll hit bottom, but at least I've enjoyed the ride," BJ Barham sings during "Harmless Sparks," which rests in relative peace at the middle of American Aquarium's new album. (Last Chance Records)
INDY Week  |  Peter Blackstock  |  08-23-2012  |  Reviews

Can reissues stretch fans too thin?new

As ever-frank heavy metal critic Kim Kelly recently wrote, "Quit reissuing things. Not everything is a fucking 'classic.'"
INDY Week  |  Grayson Currin  |  08-09-2012  |  Music

Spider Bags' Shake My Headnew

At its foundation, Shake My Head is a collection of straightforward bar-rock songs. Walking (well, staggering) rhythms lend a vintage R&B swing behind overdriven guitar lines that mine '70s rock and pop.
INDY Week  |  Bryan C. Reed  |  08-08-2012  |  Reviews

Oulipo's Primitive Waysnew

Primitive Ways sounds like the next step of an almost great band, drunk on possibilities but still learning how to present them.
INDY Week  |  Grayson Currin  |  08-02-2012  |  Reviews

No Eyes' No Eyesnew

No Eyes' self-titled EP is like a Texas psych-rockin' longhair in the midst of getting his mop snipped into a neat London bowl, but some loose ends still await their trim.
INDY Week  |  Corbie Hill  |  08-02-2012  |  Reviews

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