AltWeeklies Wire

House Concerts Make Some Noise in Monterey Countynew

As the club scene declines, more and more musicians - and audiences- are turning to house concerts in living rooms across Monterey County.
Monterey County Weekly  |  Paul Wilner  |  05-28-2010  |  Profiles & Interviews

Buzzcocks: Sixteen Againnew

Buzzcocks chug from the punk fountain of youth.
Fast Forward Weekly  |  Jesse Locke  |  05-27-2010  |  Profiles & Interviews

Authentically Sharpenew

Former Ima Robot singer Alex Ebert learns to get real with Edward Sharpe and the Magnetic Zeros.
Fast Forward Weekly  |  Peter Hemminger  |  05-27-2010  |  Profiles & Interviews

The Mission Creeps: Dark Cellsnew

This always-intriguing Tucson act is polishing its sound--a combination of surf, psychobilly, Goth and horror-movie soundtrack influences--to a hard-lacquered sheen.
Tucson Weekly  |  Gene Armstrong  |  05-25-2010  |  Reviews

The New Pornographers: 'Together'new

Bandleader Carl Newman writes idiosyncratic, impressionistic verses drawn from (one must assume) personal experiences and tumultuous emotions, but the results often are lyrically abstract.
Tucson Weekly  |  Gene Armstrong  |  05-25-2010  |  Reviews

Batucaxé: The Blessing of the Beatnew

The Blessing of the Beat, the first CD from local Afro-Brazilian collective Batucaxé, includes songs from Brazilian artists, as well as original songs written with South American and African music in mind.
Tucson Weekly  |  Annie Holub  |  05-25-2010  |  Reviews

Rise of the Synthnew

Shawn Foree had previously flirted with several different varieties of synth-based music—noisy synth-punk with electric guitar, and '80s British-inspired electro-pop—but on Warm Brother, he began using elements such as acoustic guitars and live drums, which he'd never used before, and which added a considerable amount of depth and variation.
Tucson Weekly  |  Stephen Seigel  |  05-25-2010  |  Profiles & Interviews

Adam Arcuragi & the Lupine Chorale Society Invent Their Own Mythologynew

Adam Arcuragi's music, godless though it may be, does convey a gospel-inspired blend of suffering and celebration, a robust mix that sets it apart from the more solipsistic efforts of those bearded guys emoting all over their acoustic guitars.
Colorado Springs Independent  |  Bill Forman  |  05-20-2010  |  Profiles & Interviews

The Grass Fights Back: Sierra Leone's Refugee All Stars' Message of Hopenew

Sierra Leone's Refugee All Stars started playing music as an escape in a refugee camp in Africa. Today, they tour all over the world with a message of hope, doing their part to better the world's image of their home country.
Boise Weekly  |  Amy Atkins  |  05-20-2010  |  Profiles & Interviews

To Sharon Jones, It’s Not Retronew

You can call Sharon Jones the hardest-working woman in show business. You can call her a stage sensation. Just don’t call her “retro.”
Shepherd Express  |  L. Kent Wolgamott  |  05-19-2010  |  Concerts

Partying With Pearl Jamnew

Cartoonist Tom Tomorrow tells of his wine-fueled collaboration with Eddie Vedder and the gang.
Hartford Advocate  |  Tom Tomorrow  |  05-17-2010  |  Profiles & Interviews

'Geneva': Russian Circlenew

Thinkers, dreamers and brooders will enjoy the third full-length record by Russian Circles, an instrumental album full of epic rises and torrential falls.
The Inlander  |  Leah Sottile  |  05-17-2010  |  Reviews

Erykah Badu is an Islandnew

Five albums in, Erykah Badu is still playing and experimenting.
The Inlander  |  Leah Sottile  |  05-17-2010  |  Reviews

'Here Lies Love': David Byrne and Fatboy Slimnew

Two musical geniuses write a powerful musical about the life of Imelda Marcos.
The Inlander  |  Leah Sottile  |  05-17-2010  |  Reviews

Far Away, So Closenew

Beloved Sacramento rock band Far broke up more than a decade ago. Now they’re reunited with a new record—and old struggles.
Sacramento News & Review  |  Nick Miller  |  05-13-2010  |  Profiles & Interviews

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