AltWeeklies Wire

Oliver Stone Sweetens the Pain: Wall Street Sequel Hits All the High Points

Oliver Stone makes a winning attempt at staying true to his original "Wall Street's" streamlined storytelling about the warped mentality of the center of the economic universe.
City Pulse  |  Cole Smithey  |  09-20-2010  |  Reviews

Ben Affleck's Domain

Ben Affleck has so thoroughly reinvented himself as an actor that it's tempting to take for granted his commendable skills as a director even after his notable debut with "Gone Baby Gone."
City Pulse  |  Cole Smithey  |  09-13-2010  |  Reviews

Taste the Fury: Mexploitation Comes to Town

Robert Rodriguez's co-directed grindhouse fun-fest "Machete" is loaded with laughs, gore, and sly '70s-styled social commentary about America's current immigration crack-down.
City Pulse  |  Cole Smithey  |  08-31-2010  |  Reviews

A Good Crone Atones: Children's Franchise Recovers With Polished Sequel

A vast improvement over the 2005 franchise introduction of co-writer/actress Emma Thompson's Mary-Poppinsish household savior, "Nanny McPhee Returns" finds modern-day meaning in its World War II era English trappings.
City Pulse  |  Cole Smithey  |  08-16-2010  |  Reviews

Reel to Video: Video Game Marketing Goes Big Screen

Cinema of the eternally pubescent hits a new low with director/co-writer Edgar Wright's adaptation of Bryan Lee O'Malley's graphic novel.
City Pulse  |  Cole Smithey  |  08-10-2010  |  Reviews

The Boys Are Back: Action Star Medley Plays the Hits

Lean, mean, funny, and chockablock with fast-twitch demolition spectacle, "The Expendables" represents a grand finale for several generations of action cinema stars.
City Pulse  |  Cole Smithey  |  08-09-2010  |  Reviews

Brothers of the Rope: George Mallory's Quest is Brought Full-Circle

Just when you were fed up with the whole idea of people climbing Mount Everest like it was a rollercoaster at Magic Mountain, documentarian Anthony Geffen reclaims a significant aspect of the mountain's storied history.
City Pulse  |  Cole Smithey  |  08-02-2010  |  Reviews

Straight Man / Funny Man: Paul Rudd and Steve Carell Crack Wise

Great comic pairings don't come along often. Yet, Steve Carell and Paul Rudd strike a snappy chemistry as straight man to funnyman.
City Pulse  |  Cole Smithey  |  07-26-2010  |  Reviews

Garbled Objectives: Todd Solandz--Same Old Thing

Todd Solandz is back once again to beat his convoluted dead-horse themes of race relations and schmaltzy pedophilia.
City Pulse  |  Cole Smithey  |  07-20-2010  |  Reviews

Stressed Rhythms: Stieg Larsson's Trilogy Takes a Dive

The second installment in the filmic adaptation of the late Stieg Larsson's large-scale crime trilogy "Millennium" pales in comparison to "The Girl With The Dragon Tattoo."
City Pulse  |  Cole Smithey  |  07-12-2010  |  Reviews

Why VOD is Inevitable

Video on Demand is already poised serve the full spectrum of Hollywood, foreign, and independent films.
City Pulse  |  Cole Smithey  |  07-10-2010  |  Movies

Spinning Apatow: Russell Brand and Jonah Hill Take a Trip

Get Him to the Greek has all the earmarks of a Judd Apatow spin-off, and that's a good thing.
City Pulse  |  Cole Smithey  |  05-30-2010  |  Reviews

Only a Thread: Romero Loses His Credibility

Sometimes nothing is better than something. George A. Romero's latest zombie retread demotes the 70-year-old filmmaker to a pale imitation of the groundbreaking director who invented zombie satire in 1968 with Night of the Living Dead, and then went on to full-on postmodern force with Dawn of the Dead and Day of the Dead.
City Pulse  |  Cole Smithey  |  05-24-2010  |  Reviews

Shrek Matures: Bourgeoisie Critics are Opposed

The fourth installment in the animated Shrek franchise is the most polished example of the series.
City Pulse  |  Cole Smithey  |  05-17-2010  |  Reviews

What's So Funny 'Bout War, Greed, and Ignorance: Robin Hood Prequel is an Uphill Slog

For as muddled as its medieval politics are, thanks to Brian Helgeland's scattershot screenplay, director Ridley Scott's cloud-covered history of Robin Longstride's path to outlaw legend soars whenever Cate Blanchett takes the screen as Maid Marion.
City Pulse  |  Cole Smithey  |  05-11-2010  |  Reviews

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