AltWeeklies Wire

'My Blueberry Nights': Pie in the Skynew

Norah Jones wows in Wong Kar-wai's sensual, romantic achievement.
New York Press  |  Armond White  |  04-03-2008  |  Reviews

'Flawless': Time for Her Close-Upnew

Demi Moore makes another comeback -- but this time she resembles a drag queen.
New York Press  |  Armond White  |  04-03-2008  |  Reviews

'Flight of the Red Balloon': Blow Upnew

Trying to be too grown up, the film never penetrates child consciousness.
New York Press  |  Armond White  |  04-03-2008  |  Reviews

Martin Scorsese Has Withdrawn from Social Realismnew

The concert itself -- and by extension, the film -- is a hollow spectacle; it's a celebration of fame, not music as artistic expression.
New York Press  |  Armond White  |  04-03-2008  |  Reviews

'Meet the Browns' is a Woeful Setbacknew

Tyler Perry's primitive film style is no less arrogant than Michael Mann's slickness, but the addition of earnestness and gospel-gangster homilies makes the lack of technique especially offensive. The appalling thing about Meet the Browns is that Perry writes and directs as if his audience had never seen a movie.
New York Press  |  Armond White  |  03-27-2008  |  Reviews

'Stop-Loss' Is Merely a Respectable Effortnew

Stop-Loss judges its Texas veterans in terms taken from Vietnam-era dissent. The director doesn't exactly rise to the occasion for national unity, but at least her final image of Brandon/Phillippe doesn't sink into fashionable cynicism.
New York Press  |  Armond White  |  03-27-2008  |  Reviews

Jack of All Tradesnew

Marianne Faithfull gets men -- and audiences -- off as a sex worker with suitably soft hands.
New York Press  |  Mark Peikert  |  03-20-2008  |  Reviews

Asia Minornew

Boarding Gate drags its heart through the muck, going nowhere.
New York Press  |  Armond White  |  03-20-2008  |  Reviews

Musical Manquenew

Christophe Honore's mumblecore mess misses the mark — but not without trying.
New York Press  |  Armond White  |  03-20-2008  |  Reviews

Imagination Nationnew

A Dr. Seuss adaptation that doesn't scare the kiddies.
New York Press  |  Jerry Portwood  |  03-13-2008  |  Reviews

Land of the Lostnew

Roland Emmerich still thinks big -- if he thinks at all.
New York Press  |  Armond White  |  03-13-2008  |  Reviews

Serial Abusenew

Michael Haneke claims modern sophistication but proves he's a sadistic fraud in an American adaptation of his own film.
New York Press  |  Armond White  |  03-13-2008  |  Reviews

Nobody Loves a Nobodynew

If David Lynch remade Taxi Driver with equal doses of Eraserhead and The Elephant Man, the result might look something like the drab existential loneliness of Ronald Bronstein's Frownland.
New York Press  |  Eric Kohn  |  03-06-2008  |  Reviews

Yuppie Fictionnew

While David Gordon Green once exemplified the essence of independent filmmaking with his 2000 debut George Washington, his new film Snow Angels shows he has since fallen victim to indie film conventions.
New York Press  |  Armond White  |  03-06-2008  |  Reviews

Poor Man's Gamenew

Don't be fooled into thinking Stephen Chow's film, a tribute to Spielberg's E.T., is kid stuff
New York Press  |  Armond White  |  03-06-2008  |  Reviews

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