AltWeeklies Wire
No Exitnew
No Country for Old Men is a showcase of brilliant, minimalist acting, a visual masterpiece and an uncomfortable philosophical challenge.
Crime Masterpiecenew
The Coens' near-perfect No Country for Old Men will take your breath away.
Tucson Weekly |
James DiGiovanna |
11-21-2007 |
Reviews
By the Booknew
Hey, guess what? Evil is real, and random, and without reason, and relentless.
Sacramento News & Review |
Jonathan Kiefer |
11-15-2007 |
Reviews
'No Country For Old Men': Badlandsnew
Coen Brothers return to the scene of their first crime.
Creative Loafing (Atlanta) |
Curt Holman |
11-15-2007 |
Reviews
Evil Ways
The Coen brothers combine pure thrills with grim philosophy in No Country for Old Men.
Salt Lake City Weekly |
Scott Renshaw |
11-15-2007 |
Reviews
Josh Brolin & Kelly MacDonald on 'No Country for Old Men'new
Both Brolin and MacDonald are open in their admiration for the Coen brothers.
Montreal Mirror |
Mark Slutsky |
11-12-2007 |
Profiles & Interviews
All the Pretty Carnagenew
Remorseless murder isn't all there is to No Country for Old Men, but it's all anyone seems to care about.
Chicago Reader |
Jonathan Rosenbaum |
11-12-2007 |
Reviews
Tonal Gravitynew
Coen Brothers return to darkness with No Country for Old Men while Lions for Lambs offers an anything-but-subtle attack.
Los Angeles CityBeat |
Andy Klein |
11-09-2007 |
Reviews
Coen Brothers to Audience: 'Hold Still'new
The Coen brothers transcend themselves with No Country for Old Men.
L.A. Weekly |
Scott Foundas |
11-09-2007 |
Reviews
Why is Josh Brolin So Damn Happy?new
An Oscar-tipped turn in No Country For Old Men proves this Goonie is good enough after all.
NOW Magazine |
John Harkness |
11-09-2007 |
Profiles & Interviews
'No Country' is a Crime Movie for a World at Warnew
The way the Coen brothers' latest morphs from noir into contemporary-western moral struggle makes it deeper, funnier and even stranger than Fargo.
New York Press |
Armond White |
11-08-2007 |
Reviews
The Coen and Cormac Frontier in 'No Country for Old Men'new
The casting is superb, but the notes each of the actors are allowed to search out and discover are what make No Country For Old Men at least within a well-hurled rock's throw of a "masterpiece" as some writers have already gratefully dubbed this glory of pearlescent carborundum.
Chicago Newcity |
Ray Pride |
11-07-2007 |
Reviews
The Coen Brothers Go West
After a string of disappointing projects, Joel and Ethan Coen have hit cinematic paydirt with Cormac McCarthy's 2003 western crime novel No Country for Old Men.
