AltWeeklies Wire
After DJ Nights and Day-Glo, the Band-Band Makes a Comeback in Baltimorenew
This "new" breed is influenced by groups as disparate as uncompromising postpunk band Shellac, psych-pop favorite Animal Collective, and Baltimore's own art-aggro trio Double Dagger, but they don't sound like them, or, for that matter, each other. And they're churning out a sound as exciting and unbound as early Dan Deacon-in-a-warehouse -- as un-retro as the Wham City scene, but working with the DNA of far more deeply rooted music.
Baltimore City Paper |
Michael Byrne |
09-08-2009 |
Music
Baltimore Hip-Hop Vets Offer a Way Forward For The Scene--Looking Backnew
If you follow hip-hop journalism, you've heard this story before: Once there was a grassroots movement that established criteria for what made hip-hop matter. Now it's just people repeating the same old nonsense about big-screen TVs, money, and bitches.
Baltimore City Paper |
Bret McCabe |
02-24-2009 |
Music
Baltimore Hip-Hop's Biggest Outcasts Find Their Niche As Mania Music Groupnew
"We're like a gang of misfits, people that nobody wanted," says Dwayne "Headphones" Lawson, 28, describing the group of musicians whom he brought together to form Mania Music Group.
Baltimore City Paper |
Al Shipley |
09-09-2008 |
Profiles & Interviews
Detroit Transplant Patrick Brander Tries to Spread Techno in House-Loving Baltimorenew
If techno is a minority player in Baltimore, as it is in many American cities (by European standards), at least some of that has to do with the landscape. Heavily molded by rock club culture and a painful 2 a.m. last call, Baltimore is not well equipped to give a techno party the hours needed to dig in for longer than a taste.
Baltimore City Paper |
Michael Byrne |
09-02-2008 |
Profiles & Interviews
Getting Smutty with Titsworthnew
On his debut album, Twelve Steps, he turns to making original tracks, and the entire production is a dancefloor murderer, mixing hip-hop, R&B, electronic music, and a little bit of pretty much everything else.
Washington City Paper |
Sarah Godfrey |
08-29-2008 |
Reviews
How Does Wham City Get Away with Whartscape?new
Now in its third year, the anti-festival turned oddball indie magnet covers four nights, two full days, and four venues, is backed by a list of sponsors, and brings in headliners whose individual payment guarantees could probably cover a month's rent for everyone involved in organizing the fest combined.
Baltimore City Paper |
Michael Byrne |
07-29-2008 |
Concerts
Bands on the Sidenew
From Dan Deacon to club producer King Tutt, here's what Baltimore's favorite musicians are doing when not making the music you already know.
Baltimore City Paper |
Michael Byrne |
04-08-2008 |
Music
