AltWeeklies Wire
The Latest 'Bad Lieutenant' Isn't Good or Bad. It Just Isnew
Bad Lieutenant: Port of Call New Orleans (why the "Port of Call" part? Who knows! Who cares!) is a conventional detective thriller in basic form, but the procedural elements are sometimes listless.
The Memphis Flyer |
Chris Herrington |
01-22-2010 |
Reviews
Sundance Film Festival: What's Happening NEXT?new
Riding high on a return to pop relevancy, the Sundance Film Festival's programming team announced NEXT, a sidebar dedicated to reflecting "a new aesthetic enlisting low- and no-budget filmmaking techniques."
L.A. Weekly |
Karina Longworth |
01-22-2010 |
Movies
André Téchiné Explores Difficult Emotional Territory With Exquisite Detailnew
America may not be ready for André Téchiné’s superb new movie The Girl on the Train. To judge by the audience’s gasp at the film’s Lincoln Center world premiere last year, Téchiné’s signature interest in how race, class and sex intersect remains shocking.
New York Press |
Armond White |
01-21-2010 |
Reviews
The Anvil Experience: Our Resident Metalhead Mano y Mano With 'Lips'new
The acclaimed rags-to-slightly-better-rags (but still not rich) documentary Anvil! The Story of Anvil brought a notoriety the Canadian band failed to achieve in 30 years. But chatting with us from his Toronto home, Steve "Lips" Kudlow made it clear that what you see is what you get.
Dig Boston |
Dave Wedge |
01-20-2010 |
Profiles & Interviews
'Lovely Bones' is Predictable, Filled with Cheap Emotional Momentsnew
Don't worry, Susie Salmon. You'll eventually make it to heaven, where, lucky for you, nobody wants to talk about the shitty movies they did on earth.
Dig Boston |
Martin Caballero |
01-20-2010 |
Reviews
'Extraordinary Measures' a Dependable but Unflashy Ridenew
The picture’s most revelatory aspect, for me, was its introduction of the affliction at its crux: Pompe disease. I’d never heard of it, and now probably won’t soon forget it.
San Antonio Current |
Brian Villalobos |
01-20-2010 |
Reviews
'The Lovely Bones': Book's Adaptation Certain to Divide Viewersnew
Moviegoers who haven't read the book and accept director Peter Jackson's picture on its own terms (which, ultimately, is how any artistic interpretation should be judged) will be greeted with a powerful viewing experience.
Creative Loafing (Charlotte) |
Matt Brunson |
01-19-2010 |
Reviews
Tags: The Lovely Bones, Peter Jackson
A Fire Within: Charles Darwin Biopic Stays Cold
As reworked by screenwriter John Collee, Jon Amiel's adaptation of Randal Keynes's novel "Annie's Box" is too driven by melodrama to work as a biopic. The story moves to the relationship between Darwin and his brilliant daughter Annie (wonderfully played by newcomer Martha West).
City Pulse |
Cole Smithey |
01-18-2010 |
Reviews
Colin Firth's Presence Elevates Tom Ford’s Directorial Debutnew
A deeply felt and slickly polished adaptation of a novel by Christopher Isherwood, the directorial debut by designer-turned-filmmaker Tom Ford primarily succeeds as a showcase for its star. Indeed, it’s exciting to see what Colin Firth can do when he’s pushed out of his comfort zone.
Fast Forward Weekly |
Jason Anderson |
01-14-2010 |
Reviews
Almodóvar Gets Duplicitous With 'Broken Embraces'new
Broken Embraces is a strange little suspense film. It contains only a few strategic betrayals and outright deceptions, but a great many unspoken secrets and many lies of omission. Maybe it's too mature for the good old double-cross, but it is certainly not too subtle to include a few revelations and theatrical set pieces.
Fast Forward Weekly |
Sean Stewart |
01-14-2010 |
Reviews
Peter Jackson's 'The Lovely Bones' is Dark and Staticnew
Surprisingly, apart from Stanley Tucci's acclaimed turn as serial killer George Harvey, The Lovely Bones has been shut out of the awards-season accolades. Frankly, some of the catcalls are nitpicky and unjustified.
More Magic Needed: 'Parnassus' Doesn't Worknew
Heath Ledger is solid in his final film, but the movie itself doesn't work. Ledger had already filmed a bunch of scenes when he passed away in January 2008. Rather than scrap the film, Terry Gilliam and friends came up with an idea to keep the project moving forward.
Tucson Weekly |
Bob Grimm |
01-13-2010 |
Reviews
Pretentiously Played: Peter Jackson's Sickly Sweet Schlocknew
'The Lovely Bones' is a steaming, treacly pile of excrescence, frosted with visuals that look like they were adapted from the pink, lace-covered dream journal of a unicorn-collecting scrapbooker. Essentially, if Walt Disney made a movie about the rape and murder of a teenager, this is the movie he'd make.
Tucson Weekly |
James DiGiovanna |
01-13-2010 |
Reviews
Tags: The Lovely Bones, Peter Jackson
Heath Ledger’s Death the Least of Dr. Parnassus’ Problemsnew
The most impressive thing about The Imaginarium of Dr. Parnassus is its very existence. About a third of the way through filming the mind-bending fantasy, leading man Heath Ledger died of a tragic drug overdose. Director Terry Gilliam ingeniously cast three of Ledger's A-list friends to play Ledger's character.
Creative Loafing (Atlanta) |
Curt Holman |
01-12-2010 |
Reviews
Robert Downey Jr. Summons a Fightin’ Good Sherlock Holmesnew
Robert Downey Jr.'s scruffy, comedically nimble turn goes a long way to redeem the half-coherent storytelling and occasionally elephantine production. The game's afoot, even though it's not so fresh.
Creative Loafing (Atlanta) |
Curt Holman |
01-12-2010 |
Reviews
Tags: Sherlock Holmes, Guy Ritchie
