AltWeeklies Wire
Bruce Springsteen: 'Wrecking Ball'new
Election years are good to the Boss. In 1984, he had his best commercial year ever with one of his best albums (Born in the U.S.A.).
San Antonio Current |
Bruce Springsteen |
03-18-2012 |
Reviews
Kaiser Chiefs: 'Start the Revolution Without Me'new
Start The Revolution Without Me is a schizophrenic trip through the hive mind of a band losing sight of itself.
San Antonio Current |
Nicholas Hall |
03-18-2012 |
Reviews
Nedry: 'In a Dim Light'new
It's expected that any new electro-pop group is going to produce Portishead comparisons (no one wants to be compared to Moby or The Supreme Beings of Leisure), but Beach House?
San Antonio Current |
Adam Villela Coronado |
03-14-2012 |
Reviews
Mouse on Mars: 'Parastrophics'new
Few electronic artists are able to age as well as Mouse on Mars.
San Antonio Current |
Marcus Rubio |
03-14-2012 |
Reviews
School of Seven Bells: 'Ghostory'new
Growing up as a child of the '90s, I think, makes School of Seven Bells.
San Antonio Current |
Nicholas Hall |
03-02-2012 |
Reviews
Earth: 'Angels of Darkness, Demons of Light II'new
Tracked at the same recording sessions as its predecessor, Earth's latest retains the more open
San Antonio Current |
James Woodard |
03-02-2012 |
Reviews
Napalm Death: 'Utilitarian'new
Iconic grindcore pioneers Napalm Death's newest foray into the fray takes some brave steps into new musical territories.
San Antonio Current |
James Woodard |
03-02-2012 |
Reviews
Cloud Nothings aren't "the new" anythingnew
Comparisons are fucking stupid. The immediate impulse when listening to Cloud Nothings' new post-hardcore (whatever that means) opus (whatever that means) Attack on Memory is to compare young frontman Dylan Baldi to another soft-spoken-though-undeniably-charismatic 20-something songwriter who channeled his love of angry hardcore bands (Wipers, Hüsker Dü, Black Flag, etc.) into inexplicably populist rage, but this isn't then.
San Antonio Current |
Jeremy Martin |
02-27-2012 |
Reviews
The Panic Division: 'Eternalism'new
The Panic Division's first album since the Sleepwalker EP (2009) feels like a second Colton Holliday solo album in its continuation of a mix he's grown comfortable with: synth-rock, layers and layers of guitars, strong hooks and melodies, and that type of sweet darkness Interpol is — or used to be — good at.
San Antonio Current |
Enrique Lopetegui |
02-27-2012 |
Reviews
Sleigh Bells: 'Reign of Terror'new
Several of the bands that grabbed critical attention with the sugary-pop-through-blown-speakers aesthetic popular a few years back (Wavves, Dum Dum Girls) managed to remain relevant by totally not doing that shit anymore.
San Antonio Current |
Jeremy Martin |
02-27-2012 |
Reviews
Ana Tijoux: 'La Bala'new
French-Chilean MC Ana Tijoux's second solo album (and third overall) isn't an album, it's a Molotov cocktail assembled by a girl who doesn't rap, but spits fire.
San Antonio Current |
Enrique Lopetegui |
02-27-2012 |
Reviews
Saturday Night Satellites: 'Drop City'new
This local trio explores similar territory as Austin’s Black Angels, mining sweltering neo-psych with raw garage presence.
San Antonio Current |
Chris Parker |
02-23-2012 |
Reviews
Move Over, Tool — Secret Secure is Herenew
Before taking over the world and the BBC's Top of the Pops, the early Beatles leaned on John Lennon to cheer them out of depressed bouts in shitty dressing rooms.
San Antonio Current |
Enrique Lopetegui |
02-16-2012 |
Reviews
Mrs. Howl: 'Lovie & a Yellow Lamp'new
It’s not difficult to see why Girl in a Coma’s Nina Díaz might take an interest in producing Dallas-to-SA transplants Mrs. Howl.
San Antonio Current |
Adam Villela Coronado |
02-16-2012 |
Reviews
We Leave at Midnightnew
If you took Crosby, Stills & Nash and overdubbed them the way the Beatles recorded "Because," added the Band, Pet Sounds-era Beach Boys, and a pinch of doo-wop and blended it all with the most pop-friendly yet artsy sounds you can find from the '70s through the '90s, you're only scratching the surface of We Leave at Midnight's sound
San Antonio Current |
Enrique Lopeteguin |
02-16-2012 |
Reviews
