AltWeeklies Wire

Club Awesome's Debut Full-Length Is Exaggeratednew

When stripped of the accessories, catchy rhythms and chemistry abound on Dynamos despite a feeling of overcompensation.
Creative Loafing (Atlanta)  |  Chad Radford  |  05-06-2009  |  Reviews

Bill Callahan's Latest Is More Accessible, At Least Musicallynew

The songs on Sometimes I Wish We Were an Eagle may have sprung from Bill Callahan's parting with fellow indie-folker Joanna Newsom, but this album will be remembered long after the gossip is forgotten.
Creative Loafing (Atlanta)  |  Ben Westhoff  |  05-06-2009  |  Reviews

Ian Svenonius Reinvents Himself Againnew

Down with Liberty...Up With Chains finds D.C. humorist/antagonist Ian Svenonius exploring muffled and slow punk/soul grooves that evoke genius in subversive ways.
Creative Loafing (Atlanta)  |  Chad Radford  |  05-06-2009  |  Reviews

Jim Jones: Jack of All Tradesnew

Dipset alum Jim Jones' many projects include an off-Broadway show, a workout DVD, a documentary and a mockumentary. Once in a while he actually puts out some music, and his major label solo debut Pray IV Reign is an often-decent, occasionally-excellent effort.
Creative Loafing (Atlanta)  |  Ben Westhoff  |  04-10-2009  |  Reviews

Sum Total: 'Black Moses'new

What matters most here is the music, two full discs of Hayes' unique cover tunes and sultry original raps.
Creative Loafing (Atlanta)  |  James Kelley  |  04-10-2009  |  Reviews

Stripped: 'Naked Willie'new

On Naked Willie, tainted, schmaltzy tunes take on a whole new life, and the rediscovery of these gems is an aural epiphany.
Creative Loafing (Atlanta)  |  James Kelley  |  04-10-2009  |  Reviews

Funky Punk: 'I'm Rick James'new

Much of Rick James' studio output isn't particularly memorable. Yet as a performer he's wholly original, making his new collection of live performances and videos, I'm Rick James: The Definitive DVD, more essential than his actual albums.
Creative Loafing (Atlanta)  |  Ben Westhoff  |  04-10-2009  |  Reviews

The Weakendsnew

These Franco garage rockers show off breezy but gut-wrenching riffs and melancholy rhythms that embrace the traditions of ramshackle American blues and rock.
Creative Loafing (Atlanta)  |  Chad Radford  |  03-18-2009  |  Reviews

Leela James' 'Let's Do It Again'new

In struts Compton, Calif.'s Leela James to reclaim the respect of American soul with a live-recorded CD of able covers, from Phyllis Hyman to James Brown.
Creative Loafing (Atlanta)  |  L. Michael Gipson  |  03-18-2009  |  Reviews

Spindrift's 'The West'new

The West is a carnival of mysterious sounds and haunted Spaghetti Western images, dark, dramatic and brimming with old-timey psychedelia.
Creative Loafing (Atlanta)  |  Chad Radford  |  03-18-2009  |  Reviews

J Dilla's 'Dillanthology, Volume 1'new

Before he died from cardiac arrest three years ago, J Dilla was the quietest of hip-hop legends. Fortunately, he’s experiencing something of a posthumous renaissance, and some of the most popular cuts from his early career are captured nicely on Dillanthology, Volume 1.
Creative Loafing (Atlanta)  |  Ben Westhoff  |  03-18-2009  |  Reviews

Ryan Leslienew

Proving more than a gimmicky salesman, Ryan Leslie has created a guilty R&B pleasure.
Creative Loafing (Atlanta)  |  L. Michael Gipson  |  02-25-2009  |  Reviews

These Are Powers' 'All About Future'new

Drummer Bill Salas is the new guy in These Are Powers, but the fascist cadences of his hallucinogenic beats give direction to the ghost-punk traipse at the center of All Aboard Future.
Creative Loafing (Atlanta)  |  Chad Radford  |  02-25-2009  |  Reviews

Grandmaster Flash's 'The Bridge'new

Hip-hop has changed dramatically since "The Message," but many believe not for the better. Flash would do well to follow his own vision instead of attempting to keep up with the inferior producers and DJs whose careers he made possible.
Creative Loafing (Atlanta)  |  Ben Westhoff  |  02-25-2009  |  Reviews

Black Lips' '200 Million Thousand'new

Garage-rock Nazis can revel in the muffled hue that envelops the album from beginning to end. What sets 2MT apart are the smooth melodies that guide each song.
Creative Loafing (Atlanta)  |  Chad Radford  |  02-25-2009  |  Reviews

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