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Cake: Showroom of Compassionnew

Grunge may be dead, but Cake is still alive, serving up their first album of originals since 2004’s Pressure Chief.
San Antonio Current  |  Enrique Lopetegui  |  01-14-2011  |  Reviews

Aether's 'Artifacts'new

San Antonio hip-hop producer Diego Chavez’s first solo outing creates a MacBook-powered soundscape that falls quietly between Handsome Boy Modeling School (minus humor) and Brian Eno (minus sleepiness).
San Antonio Current  |  Matt Ramos  |  02-04-2009  |  Reviews

Nina Simone Box Set Reveals Struggles of Strong Female Musiciansnew

To Be Free begs to be read like musical literature, telling the tale of a woman who built a sturdy foundation for strong female artists everywhere and makes the listener ask when the rest of the building is supposed to go up.
San Antonio Current  |  Abbie Kopf  |  10-01-2008  |  Reviews

Why Didn't Ben Folds Release an EP Instead?new

If Ben Folds' third solo disc had been pared down from 12 tracks to say, six or seven, Way to Normal might have ranked among the top releases of the fall season.
San Antonio Current  |  Clint Hale  |  10-01-2008  |  Reviews

Ani DiFranco Infuses 'Red Letter Year' with Jazznew

Deep, layered arrangements of jazz-infused rhythms have replaced her trademark staccato, fierce-fingerpicking concoctions.
San Antonio Current  |  Jessica Ramos  |  10-01-2008  |  Reviews

TV on the Radio Want to Sex You Upnew

If Death Cab For Cutie wants to possess your heart, then TV On The Radio wants to possess your phone number.
San Antonio Current  |  Chuck Kerr  |  10-01-2008  |  Reviews

For Jenny Lewis, It's All About the Castingnew

When the former child star plays Lucinda Williams, Blue period Joni Mitchell, or even Stevie Nicks-led Fleetwood Mac, she nails the role, but when she's cast against type, the results aren't so hot.
San Antonio Current  |  Jeremy Martin  |  09-24-2008  |  Reviews

Kings of Leon Find Inspiration in Americananew

With songs conjuring trips along dusty back roads or, at the very least, a night chalking up pool cues, Only by the Night doesn’t veer far from the southern-fried rock Kings listeners have come to expect.
San Antonio Current  |  Cynthia Hawkins  |  09-24-2008  |  Reviews

Calexico Favors Mariachi-meets-folk Groove on 'Carried to Dust'new

While Calexico's previous studio release -- 2006's Garden Ruin -- was an attempt to break into the mainstream, Carried to Dust sheds such polish
San Antonio Current  |  Clint Hale  |  09-10-2008  |  Reviews

Don't Call Okkervil River's 'The Stand Ins' a Sequelnew

It's really a collection of deleted and extended scenes, scrapped when frontman Will Sheff, fearing overkill, nixed releasing Stage Names as a double album.
San Antonio Current  |  Chuck Kerr  |  09-10-2008  |  Reviews

Examining Re-issued Soul From James and Otisnew

I Got the Feelin': James Brown in the 60s gathers three DVDs of live footage from 1968 and is anchored by a documentary about his historic Boston show on the day after Martin Luther King Jr.'s assassination -- a concert many credit with helping to keep nationwide riots from taking hold there.
San Antonio Current  |  John DeFore  |  09-10-2008  |  Reviews

The Walkmen Perfect Their Own Stripped-down Post-bender-rocknew

The bare-bones drone that defined previous albums’ least accessible tracks still forms the basis for many of the songs on their latest release, but the edges have been smoothed with a warm and fuzzy vintage sound.
San Antonio Current  |  Jeremy Martin  |  08-20-2008  |  Reviews

Sam Phillips Strips Down for 'Don't Do Anything'new

As on all of her best work, Phillips is humble and open-hearted, invitingly tuneful but unsparing in her assessment of the emotional wreckage she sees.
San Antonio Current  |  Gilbert Garcia  |  08-13-2008  |  Reviews

The Jacksons' 'Destiny' Reissues Foreshadows the Rise and Fall of Michaelnew

After an awkward stretch which saw them leave Motown, split with brother Jermaine, and languish in bad-song hell, Destiny found them taking over the production reins, writing their own material, and re-establishing themselves as the first family of bubblegum soul.
San Antonio Current  |  Gilbert Garcia  |  07-23-2008  |  Reviews

Jay Reatard: Wonderfully Messynew

When you get past Reatard's productivity (17 original tracks over a two-year period), you notice how seamlessly these disparate singles flow together, as if one song picks up a thought he left unfinished three months earlier.
San Antonio Current  |  Gilbert Garcia  |  07-16-2008  |  Reviews

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