AltWeeklies Wire

Barren Girls' Hell Hymnsnew

This four-song debut EP, every bit a punk record, preserves a rookie band's steady first steps.
INDY Week  |  Bryan C. Reed  |  04-18-2013  |  Reviews

Beloved Binge's Pocketsnew

They might've left town for a while, but Pockets proves Beloved Binge kept pace with Durham.
INDY Week  |  Bryan C. Reed  |  09-20-2012  |  Reviews

Some Army's Second EPnew

Within a modest 29 minutes, this six-strong Carrboro outfit synthesizes shoegaze and indie-pop sounds; despite their far-flung touchstones, these songs still feel distinctly Southern in execution. (self-released)
INDY Week  |  Corbie Hill  |  09-20-2012  |  Reviews

The Old Ceremony's Fairytales and Other Forms of Suicidenew

As a whole, this is the most convincing collection in The Old Ceremony's catalog, proof that the past, present and future of this veteran ensemble remain exciting. (Yep Roc)
INDY Week  |  Jordan Lawrence  |  09-20-2012  |  Reviews

The Evil Tenors' Peach Fuzznew

Peach Fuzz finds Durham's Nathan White breaking in a new sound and a new personality, adapting to unfamiliar surroundings and figuring out how to fit in.
INDY Week  |  Jordan Lawrence  |  09-12-2012  |  Reviews

American Aquarium's Burn. Flicker. Die.new

"Pretty soon I'll hit bottom, but at least I've enjoyed the ride," BJ Barham sings during "Harmless Sparks," which rests in relative peace at the middle of American Aquarium's new album. (Last Chance Records)
INDY Week  |  Peter Blackstock  |  08-23-2012  |  Reviews

Spider Bags' Shake My Headnew

At its foundation, Shake My Head is a collection of straightforward bar-rock songs. Walking (well, staggering) rhythms lend a vintage R&B swing behind overdriven guitar lines that mine '70s rock and pop.
INDY Week  |  Bryan C. Reed  |  08-08-2012  |  Reviews

Oulipo's Primitive Waysnew

Primitive Ways sounds like the next step of an almost great band, drunk on possibilities but still learning how to present them.
INDY Week  |  Grayson Currin  |  08-02-2012  |  Reviews

No Eyes' No Eyesnew

No Eyes' self-titled EP is like a Texas psych-rockin' longhair in the midst of getting his mop snipped into a neat London bowl, but some loose ends still await their trim.
INDY Week  |  Corbie Hill  |  08-02-2012  |  Reviews

King Mez's My Everlasting Zealnew

As far as rap in The Tar Heel State goes right now, King Mez is our leader. And like The Listening a decade before it, this is the new classic text. (self-released)
INDY Week  |  Eric Tullis  |  07-16-2012  |  Reviews

Tripp's We Are Happy Herenew

Tripp is a purer brand of pop than the indie realm tends to traverse. Alex Wilkins has no interest in hiding behind sonic overload or trickery, putting the vocals up-front and pointedly singing with clarity. (self-released)
INDY Week  |  Peter Blackstock  |  06-25-2012  |  Reviews

Lost in the Trees' A Church That Fits Our Needsnew

If you've come to get your heartstrings tugged, you won't be disappointed.
INDY Week  |  Brian Howe  |  04-02-2012  |  Reviews

Caltrop's Ten million years and eight minutesnew

When it's exciting, Ten million years is a reminder of the energy to be found at the borders of hard rock and heavy metal. (Holidays for Quince)
INDY Week  |  Grayson Currin  |  03-31-2012  |  Reviews

Bowerbirds' The Clearingnew

A few verses into The Clearing, it's clear that Bowerbirds aren't so interested in keeping things simple anymore.
INDY Week  |  David Raposa  |  03-14-2012  |  Reviews

Organos' Conchanew

Organos and Concha are happily different both in source and sound, offering a humbly memorable reappraisal of the limits of pop.
INDY Week  |  Grayson Currin  |  03-09-2012  |  Reviews

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