AltWeeklies Wire

Matchbox 20: 'North'new

I'll make this as quick and painless as possible. First of all, Matchbox 20 still exists (yes, the “push you around” guys).
San Antonio Current  |  James Courtney  |  09-16-2012  |  Reviews

Deerhoof: 'Breakup Song'new

Deerhoof has always felt like the little band that could: a bit too eccentric to reach wide notice, but charming enough in their weirdness to stay on the radar.
San Antonio Current  |  J.D. Swerzenski  |  09-16-2012  |  Reviews

Bob Dylan: 'Tempest'new

Time Out of Mind (1997) started the best chapter of Bob Dylan’s late career, thus setting a new, unbelievable standard for himself and his contemporaries — that of the rare legend who keeps getting better with time.
San Antonio Current  |  Enrique Lopetegui  |  09-16-2012  |  Reviews

Cat Power: 'Sun'new

There are a few things we've come to expect from Cat Power, indie rock's most reliably miserablist singer-songwriter this side of Elliott Smith. Suffice to say, when she caps her new electro-pop album with an 11-minute "I Wanna Live!" mantra ("Nothin' But Time") it's pretty goddamn shocking.
San Antonio Current  |  J.D. Swerzenski  |  09-16-2012  |  Reviews

Foxygen: Take the Kids Off Broadwaynew

Rarely is bedroom pop played with such hyperactive abandon. Foxygen, the duo of Sam France and Jonathan Rado, present a debut album that never sits still, careening wildly, even within individual songs, across a wide range of pop, rock and avant-garde influences.
Tucson Weekly  |  Eric Swedlund  |  09-13-2012  |  Reviews

AmoChip Dabney: Not Out of Words (Microchip)new

For anyone familiar with AmoChip Dabney's various stage personas, this all-instrumental improvisational suite for piano is probably the last thing you'd expect to hear. A multi-instrumentalist excelling on saxophones, keyboards and bass, Dabney is the consummate pro.
Tucson Weekly  |  Jim Lipson  |  09-13-2012  |  Reviews

The Evil Tenors' Peach Fuzznew

Peach Fuzz finds Durham's Nathan White breaking in a new sound and a new personality, adapting to unfamiliar surroundings and figuring out how to fit in.
INDY Week  |  Jordan Lawrence  |  09-12-2012  |  Reviews

The Tallest Man on Earth: There's No Leaving Nownew

A couple of years after his breakthrough sophomore album, The Wild Hunt, Swedish singer/songwriter Kristian Matsson has toned things down for There's No Leaving Now, but it's still a beguiling, dark work.
Tucson Weekly  |  Michael Petitti  |  08-30-2012  |  Reviews

Yeasayer: 'Fragrant World'new

With their third album, Brooklyn's Yeasayer prove once again that they have no interest in artistic stillness.
San Antonio Current  |  James Courtney  |  08-30-2012  |  Reviews

Chiddy Bang Brandingnew

The group's sugar cereal motif is of a piece with its music.
East Bay Express  |  Rachel Swan  |  08-24-2012  |  Reviews

Mixtura feat. Tito Nieves: "I Want You Back" (from Unity: The Latin Tribute to Michael Jackson, release TBA)new

The first single off the upcoming Michael Jackson salsa tribute is out — and it kills.
San Antonio Current  |  Enrique Lopetegui  |  08-23-2012  |  Reviews

Frank Zappa: 'You Are What You Is'new

Was that really Frank Zappa's face last week on the front page of the iTunes store? I couldn't believe my eyes.
San Antonio Current  |  Enrique Lopetegui  |  08-23-2012  |  Reviews

American Aquarium's Burn. Flicker. Die.new

"Pretty soon I'll hit bottom, but at least I've enjoyed the ride," BJ Barham sings during "Harmless Sparks," which rests in relative peace at the middle of American Aquarium's new album. (Last Chance Records)
INDY Week  |  Peter Blackstock  |  08-23-2012  |  Reviews

Bobby Womack: The Bravest Man in the Universenew

For his latest comeback—and first album of new material in 18 years—this R&B titan of the 1960s and '70s went to England.
Tucson Weekly  |  Gene Armstrong  |  08-16-2012  |  Reviews

Sasha Go Hard: Do You Know Who I Am?new

Young rapper/vocalists like Rye Rye and Azealia Banks epitomize a post-millennial sass that's all about eclecticism.
Tucson Weekly  |  Sean Bottai  |  08-16-2012  |  Reviews

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