AltWeeklies Wire

The Body & Braveyoung's Nothing Passesnew

For the first 27-and-a-half of its 35-and-a-half minutes, Nothing Passes sounds almost exactly like what one might expect from a collaboration between The Body and Braveyoung.
INDY Week  |  Bryan C. Reed  |  11-01-2011  |  Reviews

Big Tree: This New Yearnew

On its second full-length album, this creative quintet shows off its obvious jazz influences.
Tucson Weekly  |  Gene Armstrong  |  10-31-2011  |  Reviews

Girl in a Coma: Exits and all the Restnew

While Trio B.C. (2009), the ladies' last collection of originals, had some grit and punch, it also had elements of an identity crisis as it danced between punk and rockabilly influences.
San Antonio Current  |  Kelsey Valadez  |  10-27-2011  |  Reviews

Daniel "Tatita" Márquez: Haribolnew

Márquez's Haribol (a Hare Krishna greeting roughly translated as "chant the name of God") may remind some EDM fans of the Robert Miles/Trilok Gurtu collaboration Miles-Gurtu
San Antonio Current  |  Adam Villela Coronado  |  10-27-2011  |  Reviews

Sinful Savage Tigers' The Last Night of the Revelsnew

The Tigers have arrived at a wonderfully catchy, stylistically balanced record in little time at all.
INDY Week  |  Chris Parker  |  10-27-2011  |  Reviews

The Hot at Nights' Nice Talknew

When the group wanders, they're at their best.
INDY Week  |  Brandon Soderberg  |  10-27-2011  |  Reviews

Systems' Ghost Medicinenew

At the core of Systems' brilliance, at least on the Carrboro band's debut, is the band's ability to navigate the uneven line between thrash and post-rock.
INDY Week  |  Corbie Hill  |  10-27-2011  |  Reviews

Logan Pate'sThe Difference Between Moths and Butterfliesnew

Building from the soulful electronics of his earlier Moths EP, Pate adds hypnotic acoustic guitar, gracing the mix with his extraordinary voice.
INDY Week  |  Jordan Lawrence  |  10-27-2011  |  Reviews

Stratocruiser's The Sparknew

Stratocruiser's fourth album successfully highlights more nascent psych influences that augment the ringing jangle pop and glammy hard pop of antecedents such as Badfinger and Cheap Trick.
INDY Week  |  Chris Parker  |  10-26-2011  |  Reviews

Sting: 25 Yearsnew

Even if Sting never went solo, his place in the rock 'n' roll Hall of Fame was secure thanks to the glorious way he mixed punk, reggae, and pop with the Police.
San Antonio Current  |  Enrique Lopetegui  |  10-26-2011  |  Reviews

Heads on Sticks' Brutish & Shortnew

In the last two years, Heads on Sticks have gone from a largely studio-bound offshoot of a prominent local bandleader and sideman to one of the best live acts in the area.
INDY Week  |  Jordan Lawrence  |  10-26-2011  |  Reviews

Coldplay: Mylo Xylotonew

Breaking news: Coldplay can rock!
San Antonio Current  |  Enrique Lopetegui  |  10-26-2011  |  Reviews

CD Review: Cement Stars' Form & Tempernew

Charlotte indie rock quintet Cement Stars follows up 2009's Geometrics with the six-song EP, Form & Temper.
Creative Loafing (Charlotte)  |  Jeff Hahne  |  10-24-2011  |  Reviews

Morris Orchids at LoneStar Studiosnew

Leonard Rader — guitarist, vocalist, and one half of the creative nucleus of Morris Orchids — describes his band as more “album-” than “stage-” oriented.
San Antonio Current  |  Adam Villela Coronado  |  10-20-2011  |  Reviews

Björk: Biophilianew

Few artists define "experimental" quite as effectively as Björk, which goes a long ways towards explaining how she has managed to remain so relevant throughout her three-decade career.
San Antonio Current  |  J.D. Swerzenski  |  10-20-2011  |  Reviews

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