AltWeeklies Wire

The Power Trio is Backnew

North Mississippi Allstars’ fifth studio album, Hernando refines their guitar-bass-drums combo to immediately remind you of Cream and The Jimi Hendrix Experience.
Port Folio Weekly  |  Paul Shugrue  |  02-07-2008  |  Reviews

Scenic Quietudenew

Cave and Ellis tell the story of a captivating character, without uttering a single word.
Creative Loafing (Atlanta)  |  Chad Radford  |  02-06-2008  |  Reviews

Rise from the Ashesnew

Wanderin' captures the rich musical heritage of the Outfit's influences.
Creative Loafing (Atlanta)  |  James Kelly  |  02-06-2008  |  Reviews

Contradictory Attitudesnew

The Brit Box captures many of America's paradoxes for better and worse.
Creative Loafing (Atlanta)  |  David Lee Simmons  |  02-06-2008  |  Reviews

Full of Lifenew

After the blissful melodiousness of The Warning, Hot Chip returns to the bizarrely arrhythmic white funk of its debut, Coming on Strong.
Creative Loafing (Atlanta)  |  Mosi Reeves  |  02-06-2008  |  Reviews

Guagua's Impressive International Aestheticnew

Featuring a plethora of talent from such notable Vermont acts, the sophomore release from Burlington’s mind-bending Latin-jazz collective Guagua arrives this month with considerable expectations.
Seven Days  |  Herb van der Poll  |  02-01-2008  |  Reviews

The Painful Descent of Black Mountainnew

There was a time I saw Black Mountain as torchbearers of soulful, gritty, classic folk and rock—a necessary band to fight the drift toward the laptop-toting, knob-twisting digital wash. Unfortunately, they're no longer that band.
The Portland Mercury  |  Andrew Tonry  |  02-01-2008  |  Reviews

Forest Slumpnew

Dead Meadow has somehow misplaced its shuddering, guitar-rock effervescence. Perhaps the band members left it in a truck stop after they decamped from D.C. to Los Angeles last year.
Washington City Paper  |  Casey Rae-Hunter  |  02-01-2008  |  Reviews

Nothing Inviting About Indie-Jazz Albumnew

As much of a downer as it is, The Furniture Moves Underneath finds Inhabitants mastering the gloomier side of jazz.
The Georgia Straight  |  Gregory Adams  |  02-01-2008  |  Reviews

Rat Silo Returns With Stripped-Down Rocknew

Some of Rat Silo sounds excellent and some of it seems as if it would benefit from a bigger budget and tighter production. But as the aforementioned bio warns, “Don’t expect the next one to sound exactly like this one.”
The Georgia Straight  |  John Lucas  |  02-01-2008  |  Reviews

Done With a Triple-Grande Caramel Macchiatonew

At its best, In Lights delivers catchy doses of postgrunge pop-rock that sound like every band signed to 604 Records.
The Georgia Straight  |  Lucas Aykroyd  |  02-01-2008  |  Reviews

Truly a Collector's Editionnew

This re-release features a making-of DVD and two fine additional bonus tracks.
Tucson Weekly  |  Gene Armstrong  |  02-01-2008  |  Reviews

Self-Consciously Kitschynew

This dance-pop album is like listening to your gay kid brother pretend he's Madonna by laying down his own "sexy" vocals with a sophisticated version of GarageBand: You want to encourage him, but you're inwardly wincing.
Tucson Weekly  |  Sean Bottai  |  02-01-2008  |  Reviews

The Human Experiencenew

Rafter offers 19 songs with quips of emotional truths set to handclaps, saxophones, guitars and keyboards.
Tucson Weekly  |  Annie Holub  |  02-01-2008  |  Reviews

Songs Contain Strong Storytellingnew

While their penchant for snippet songs hasn’t been completely cast away, the shaggy and unpolished, unfinished nature of the songs largely has — at least on the band’s latest, Whitespace Differences (Tinhorn Planet) — and been replaced by loops, electronic sputtering and lush, synthetic arrangements.
Artvoice  |  Donny Kutzbach  |  01-31-2008  |  Reviews

Narrow Search

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range
  • From:

    To: